To my utter disgust the pool was packed
with kids this morning and that was only after I had more trouble than usual
finding a parking space. Horror piled on
horror!
But, true to form I was beckoned by the ever-helpful
staff towards a lane kept free for humans and I was able to complete my twenty
minutes in customary solitude.
I chose to sit in the sun for my cup of tea
to make up for the gloom of yesterday and read my on-going novel on my mobile
phone. This is a science fiction story
called “The sun dragon” or “Dragons of the sun” or some combination of sun and
dragon that I have seen so often I have forgotten it! I have been reading this bloody book for what
seems like most of my adult life. I only
read it when I have forgotten to bring my Kindle to the pool – and I am pretty
good at remembering it so this is one of the most extended readings I have ever
done.
Eventually I will give in and settle down
with the damn thing one evening and get the thing read. I was never really one to wait and delayed
gratification is more a theory that a way of life for me!
Part of the morning was taken up with my
attempt to short circuit Spanish bureaucracy.
This was, of course, irrational on my part
and I was duly put in my place and told to go away and make an appointment via
the Internet so that I could come back to the place that I was already in. If you see what I mean. It says something for the length of time that
I have been in this country that I did not even consider asking if I could make
an appointment face to face as it were.
I left with the web site name.
And the appointment is now made.
Simple.
After restocking the yogurt shelves in the
fridge after a duty visit to the supermarket and gratefully eating a lunch
cooked by Toni’s mum who seems to be enjoying her respite cure, I rushed off to
Barcelona to catch the exhibition that Suzanne has been encouraging me to go
and see in the Fundació Joan Miro.
“Projecció” is an exhibition by Mona Hatoum
whose only piece of work that I can be positive that I have seen previously is
“Paravent” which is a metal articulated screen made in the form of various
linked food graters! Good to see it
again.
After a first viewing of the items in the
exhibition and then sitting in the courtyard of the museum sipping an ice-cold
glass of Cava I was grateful for Suzanne’s insistence.
By far the most thought-provoking item for
me was “Cube 9x9x9” constructed out of thin mental rods with a nod towards
barbed wire. I found this unsettling and
disorientating; elegant and sinister.
The construction was severely symmetrical
so that the observer could constantly create planes where none existed by
seeing linked sequences of rod lines.
The transparency of the object allows, or rather forces, the viewer to
see the horizontals and verticals and the inclined planes that form and are
changed in an instant by the slightest movement of the head.
There are also lines that don’t “fit” in
the symmetry of the internal structure of the object. They put me in mind of the seemingly
extraneous lines that complement the obvious geometry of squares and rectangles
in Mondrian paintings. They add mystery,
they are like grace notes in music – ornamentation but essential to a full
understanding.
I was drawn back to this object again and
again, both attracted and frustrated by the dancing dynamics that the lines
formed. I felt constrained by the object
almost as if it was dictating its observation: who was watching whom?
The “barbs” twisted around the rods seemed
to have been placed at random to confuse and complicate the severity of the
essential structure.
I think that ideas of authority, repression
and, paradoxically freedom are all contained in this apparently simple form.
The other piece which stood out was “+ and
–“ which was a metal arm revolving in a circular container filled with light
coloured sand. On half of the arm was
serrated and left grooves in the sand while the other half of the arm was flat
and smoothed the sand back to flatness.
Fairly obvious ideas of creation and
destruction; the ying and the yang, and any other opposites you might think of
come to mind, but I was more interested in the fact that the smoothed sand was
not left as a featureless plain. There
were patterns left in the sand – obliteration failed!
Presumably dirt, dust, skin particles or
visitors, moisture and the impossibility of perfection must all paly a part in
making the sand “individual” in each installation in which is it is
placed. Also the imperfection of
engineering must play its part.
It is fascinating that what should be a
symbol of futility actually becomes a paean of praise to individuality. To hell with entropy!
To describe some of the other pieces would
be to belittle them – this is an exhibition in which you have to be there to
appreciate the dramatic success of some things which may appear to be wilfully
mundane if described in mere words.
All I can say is that if you get the chance
to experience the work of Mona Hatoum you should take it.
Especially if you go to an exhibition in
Barcelona on Mercé the specific day of fiesta for the city when entrance to
museums is free!