Sport?

With only the sound of passing jets to break the tranquillity of a sleepy Sunday morning, it took more than good intentions to get me on my (electric) bike to make the arduous journey to the swimming pool – you have to understand that I count the bridge over the motorway as an actual hill.  But it is amazing what sheer peer pressure will do to get you moving.  One comment from Toni and I was out of my all-too-comfortable chair and finding a fresh towel.

As it is a Sunday I eschewed my normal route to the pool via the longer way, allowing me to cycle along the paseo next to the sea and beach, as the bright sunshine would have brought out an overwhelming crop of dominguerros (Sunday visitors to our seaside resort) and cycling with oblivious pedestrians is far too hard work in the mornings, and anyway it encourages negative homicidal approaches to progress.  Even along the clearly delineated cycles paths it took relentless dinging of my less than authoritative bell to get the more resentfully recalcitrant walkers to get over on to their bit of the pavement.

My Herculean efforts to get to my daily lengths were surprisingly rewarded by a totally empty pool.  There is little (at least to a swimmer) more satisfying than breaking the pristine surface of a tranquil pool: an example, if ever there was one, of the sort of hidden pleasures of a peculiar life.

I know that everyone has quirks and, while some may be socially disadvantageous there are others that are particular, do not harm and give great pleasure.  I know someone whose choice of beach is purely dictated by the fact that it is next to the airport and lying in the sun had the added advantage of low flying, noisy aircraft enlivening the tedium of tanning.  Another friend has an eye for vegetation and always has her phone camera at the ready to capture the bounce of a bough or the lilt of a leaf; yet another regards a trip to Matalan as justification for a visit to Britain; another regards the Crunchie Bar as the highest achievements of the confectionary trade, while yet another relishes Marmite.  You will note that I have not ventured into the realm of sexual proclivities because, well, because as soon as you go there then all the other little innocuous kinks can be seen as sexual as well.  Take, for example, the diving into a pool.  It doesn’t take a doctor from Vienna to make something suggestive about that!

It's all in the noticing, taking note of something and seeing it in a way that is personal to you.  This line of thought was brought on my sunbathing.

Sunbathing is a tedious occupation, and the sometimes-blotchy results make you wonder if it is all worthwhile.  You tell yourself that the ‘modern’ preoccupation with a tan can really be traced back all the way to the middle of the last century, as, previously (at least in Europe) white skin was more highly valued than tanned skin.  Tanned skin was the normal preserve of the working agricultural classes and was therefore seen as rather infra dig.  In the same way that Chinese Mandarins’ long fingernails was a visible indication that everything (and I mean everything) would have to be done for them rather than their having to do things themselves, therefore showing their high class and their ability to afford the servants necessary to live a long-fingernailed life style.

Nowadays tanning is seen as a sign of health, and to hell with scare stories of skin cancer.  People like my good self, prefer to think that the acquisition of Vitamin D from sunlight is enough of an excuse to indulge.

Anyway, getting away from why I was sunbathing and getting towards how I was sunbathing.  For the purpose of extending my periods lying prone on the beach or on the third-floor terrace I had resurrected my iPod – that now, by the way, appears quaintly dated: so heavy, such a little screen!  But it worked and that was all I wanted.

Being by nature an incurable dilettante I always set the thing to ‘shuffle’ play.  This means that my musical experience is very much like the organization of my library: serendipitously chaotic, where juxtapositions of tomes is so random that it looks contrived!  I put an exclamation mark at the end of that sentence to stop those who know me from shaking their heads sagely and remarking, “Exactly!”

So, my ‘listening pleasure’ via my iPod might feature a movement from one of the less fashionable early symphonies by Tchaikovsky, followed by a Spanish conversation from a previous on-line course, succeeded by a piece of obscure German table music, followed by some random pop.

With earphone stuffed firmly into my ears (see ‘passing jets’ above) I actually listened to the lyrics of ‘Lola’ by the Kinks that were remarkably clear and easily decipherable.  Perhaps everyone else in the world (well, given the sales of the thing it must be a sizeable chunk) knew that Lola was a transvestite or trans-sexual, but I didn’t.  I listened again to check my perceptions and finally thought what a remarkable record that must have been for its time.  It was of course banned by the BBC – not for any sexual priggishness, but rather because the Kinks used the word ‘Coca-Cola’ and the Beeb did not go in for any sort of in song advertising, so the Kinks re-recorded it substituting a more generic ‘cherry-cola’ for the obnoxious ubiquitous liquid.  I am still at a loss to understand how that disgusting concoction has spread like a carbonated plague across the face of the earth.  It can’t all be down to advertising.  Can it?

So Lola, “she walks like a woman, but she talks like a man” or was it “moves”, I can’t remember, and I am typing this on the terrace so that the sun can get at my back, and there is no internet – lying again: there is internet and I have re-read the lyrics and they are worth looking at, you can find them here: https://www.google.com/search?q=lola+the+kinks&ie=utf-8&oe=utf-8&client=firefox-b

The narrative of the song is fairly simple, a guy goes to a club in ‘North Soho’ drinks suspect champagne meets an ambiguous girl and declines to take things further.  Probably.  The interest lies in the detail of the lyrics where we discover that the protagonist is inexperienced “I’ve never ever kissed a girl before” he only left home “a week before”.  He admits that he is “not the world’s most physical guy” or “passionate” or “masculine” not really a traditional build up for the profile of a lover, but then, this is no conventional love song.  In spite of the fact that he is confused “Why she walk like a woman and talk like a man” he “drank champagne and danced all night” with her and it was only when she asked him home that he realized that in spite of living in a “mixed-up, muddled-up, shook-up world” where “Girls will be boys, and boys will be girls” he is able to assert that “I know what I am and I’m glad I’m a man” and, in my favourite line before the final extended chorus, “And so is Lola.”!  I love the general ambiguity in the quality of the attraction between the ‘hero’ and Lola, seen at its most sexually poignant when he gets down to his knees and “that`s the way that I want it to stay” – is that a rejection or an invitation!  He admits that he “almost fell for my Lola” and I think that the use of the possessive is revealing!

This is a rhythmic, musically exciting and lyrically engaging song, it’s a pity that I did not notice the ironic complexity when I first heard it in 1971 when it first came out!  Better late than never.  And who knows what other linguistic delights there will be as I listen more attentively to the occasional erratic pop tracks that pass the time as I bake on the third floor.

The World Cup

I must admit that I have been less than stringent in my not looking at the FIFA (corrupt) World Cup (corrupt) in Russia (corrupt), in spite of my best intentions I have constantly been beguiled into giving this ‘competition’ some attention.  Not, obviously, to the ridiculous extent of actually watching England play, but I have watched some part of some of the games.

At the moment Spain (corrupt) is playing Russia (corrupt) and while I have little interest in the outcome, I did break my typing to go downstairs and get myself a cup of tea where I saw that the so-called King of Spain (corrupt) had ‘graced’ the game with his presence.  May I be the first to extend my congratulations to a Head of State from a fellow European nation giving credence to a state that ordered a murder, using their own noxious nerve agents, in Great Britain.  Thank you, your majesty, and you wonder why you are cordially loathed by your rightfully rebellious ‘subjects’ in Catalonia!  The sooner that a republic is declared in this country the better.  Independence for Catalonia might be a vexed question, but the case for a republic is surely a simple one!  And made simpler every day by the actions of a high handed, autocratic Borbón de Borbón!

And Spain have lost on penalties to Russia.  I am sure that there must be some sort of point that I can make, but the ‘bread and circuses’ simply depresses me too much!

MY Saint's Day!

SAINT STEPHEN’S DAY, 2017.

Not the first up today, as Carmen is already in her natural home: the kitchen.  But yesterday she was in a restaurant and so she had at least one day off!  At the moment she is cleaning the prawns and as well as trimming the legs and whiskers, she also takes out the eyes as she says she doesn’t like them looking at her.  I do not share her squeamishness, but I am going to say nothing to such a competent cook!

In Spain, one’s name day is almost as important as a birthday and presents are to be expected – one of which I already know, as I am the one who bought it.  

This is a boxed set of Solti’s complete oeuvre with the Chicago Symphony Orchestra on CDs.  I know, I know, I have heard all the arguments for ditching my allegiance to such an outmoded form and turning to the dark side of Spottify (or possibly with one ‘t’?) for all my musical needs, but memory stops me. 

I can still remember the cost of the LPs and the first CDs of people like Solti at prices that I could never afford.  It was only with the advent of the bargain LPs that my classical music library grew. 

I am eternally grateful to Music for Pleasure, Heliodor, Marble Arch, Classics for Pleasure and one or two other more obscure labels that allowed me to spend 9/11 (nine shillings and eleven pence, under 50p!) to start off my collection.  Admittedly the prices soon rose to 10/- (ten shillings) then up to 12/6 and so on following inflation, but even I could afford one or two a month.

These labels gave me introductions to Nielsen, Mahler, Sibelius other than the Karelia Suite, Hindemith, 

music from the Middle Ages and other odds and sods that have become part of my musical vocabulary.  I found that the great thing about being interested in Classical Music as opposed to Pop was that every shop record sale, no matter how meagre, would yield something of interest.  Let’s face it, if you like The Greats in Classical Music then there is a substantial back-catalogue to get to know, and therefore always a justification to buy.  Which I did!

So, the opportunity to buy quality music for just over a euro a disc is not something that I can resist and anyway I tend to listen to the music in the car where the CDs are more convenient than anything else.  For Christmas I had two CD cases to contain the discs so that they can be kept in the dashboard compartment and then I go through the music fairly religiously disc by disc – though full operas I tend to listen to at home.  Though I do make an exception with car/opera if I am trying to get to know one of the operas in the Liceu season.  The amount that I pay for my seat gives me the incentive to do a little preparatory work for the ones that I do not know so maximize my investment, so to speak!

Nowadays with the ‘bargain’ CD boxes, the individual discs sometimes have the artwork of the original LPs, so, for someone like myself there is an added pleasure is actually recognizing some of the covers that were well out of financial reach when I was first flicking through the music years ago!

Much of the music will be familiar to me, some of it very familiar, but when was the last time that I actually heard it?  I am sometimes shocked by my reactions on hearing some insanely popular piece of music and realizing that I haven’t actually heard a performance of it in years.  For me the real pleasure is relaxing (if that is the word) into the detail of remembered orchestration and also sensing some of the associations of time and place of hearings. 

For example, my first hearing of The Manfred Symphony by Tchaikovsky was in the Swansea Music Festival in the Brangwyn Hall and being almost startled out of my seat by the entry of the organ that for me (in those days when I had the raw material for it) was literally hair raising.  Every consequent performance and recording has been compared with that first experience and found to be lacking!

Sometimes the experience can be less than ideal.  For example I got to know the Concierto de Aranjuez from a cfp LP where the soloist sounded as though he was actually inside the microphone, one soft pluck of a single string on the guitar was able to drown out the orchestra.  Imagine my disappointment on a student trip to Paris and a live performance where, from the lowly seat (i.e. very high and at the back) that I could afford, I could see the guitarist strumming away but all I could hear was the orchestra!

I am reminded of an amateur performance of The Country Wife by Wycherley, a text I was teaching to an A Level group in Cardiff, where the performance was so dire that, in spite of knowing the text pretty well, I couldn’t follow what was happening on stage.  Restoration ‘comedy’ is arguably something that amateurs should not attempt, but even so they managed to make my own language unintelligible and strange!  In the same way I have heard professional orchestras mangle music where sometimes it is physically painful to listen.  With the ease of access to the best in the world not only in terms of performance, but also in terms of editing, it is hardly surprising that some local orchestras suffer by comparison!

But Solti is a safe pair of hands, and I can be persuaded by a different interpretation of some music I know well, if it is sincerely compelling.  Tempi are the clearest point of divergence for listeners, and departures from what individual feel is the ‘norm’ for pieces of their favourite music can be unbearable.  For me there is one Sibelius symphony conducted by Karajan that makes my skin crawl because of its all-encompassing wrongness.  Even then my inability or disinclination to throw things away meant that I merely added a “DO NOT LISTEN!” sticker to the front of the LP and put it back in its place!

I will have to wait until after lunch to get my hands of what arrived in my house a week ago and, just like the books, I am still amazed at my restraint and ripping off the packaging and getting into them.

But resist I did, and I am sure that I will enjoy my present more as it comes with added deferred gratification!

Why are things, sometimes, so difficult!

Why is it so difficult to transfer music with iTunes from my Macbook Air to my mobile phone?  And that is a real question.  I have downloaded the programs that are supposed to help and all I have got is increasingly frustrated as the music stubbornly stays on the Mac and will not seamlessly transfer itself to my phone.

At which point, I know, some of you are going to ask, “Why are you trying to transfer music anyway?  Haven’t you heard of things like Spotify?”  Well, I have.  But I feel that there is something deeply unsatisfying about instant access to infinite music without some sort of effort.

This explains my love/hate relationship with the Internet.  There is nothing more satisfying that having an informational itch that can be satisfied by a few key clicks. 

I always forget the word for the technique of putting opposites together like “hot ice” in Romeo and Juliet, but I know that I can find it out by going on to Google.  Which I just did.  I first searched with “technical term for hot ice” and found a whole series of scientific, chemical references which, if I had not been writing this, I might have been tempted to delve into and spent god knows how much time getting further and further away from the original investigation! 

However, I added “Romeo and Juliet” to the search terms and got to a whole range of references.  Glancing through them I soon found the word “oxymoron” and didn’t even have to click on anything further to find it!

I had the whip of writing this to keep me on task, but the number of times that I have started off looking for something like, “When was Cervantes first translated into English?” and found myself, half an hour later looking at the latest finds from the ancient Antikythera wreck, and looking at the amazing “Mechanism” that was found that might well be the oldest computer in the . . .   You see what I mean! 

Fascinating stuff, but not what I was looking for.  [Though, if you haven’t heard of the wreck, you really should read about it.  The quality of stuff that has come from this sunken ship already is amazing, and the finds that might come to the surface next year promise wonders!  You can find more information here: https://en.wikipedia.org/wiki/Antikythera_wreck  Well worth reading.]

But to be realistic, you don't always diverge from your appointed task and find yourself reading about something as culturally uplifting as an old Greek wreck!  No, most of the time you discover that, for the last twenty minutes you have been going through a horror show of pictures that show "25 child stars who have not aged well" or "50 famous people you did not realize have died this year" or something similar and generally unedifying - but compulsive!

So, the excitement of the chase for knowledge has been made much easier.  The laborious use of the index in various encyclopedias and the frustrating page turning has gone.  But I seem to recall that my page searching days were just as frustrating, as my eye would inevitably fall on a tempting title and be drawn into seductive byways having nothing to do with the original search.

But the speed with which you can get through the ‘little’ things; correct the lapses of memory; check an irritating, questionable reference – for these the Internet is wonderful.  When I think of the amount of time that I have spent during my life in long, exhausting searches that could easily have been completed in a few seconds had I been able to move forward into the future and use the Internet I could weep!

But you can often only get so far putting your trust in the Internet.   

I have found that using the Internet in traditional specific research, certainly in the arts, encourages you by gains in the early stages.  You get the sense that you are making real progress and then something, sometimes something that you consider to be a minor obstacle, becomes immovable and whatever you do, the Internet does not seem to have the answers and you have to return to more traditional methods to get where you want to go.

As someone who is now outside the traditional university system, I do miss access to a decent University library and the library services that it provides.  Sometimes a thoughtful librarian can save you days of work!  

In my case, a couple of years ago, I was looking for an article in an Arts magazine published in the 1970s.  The Open University, with which I was then studying, had electronic copies of the magazine but not including the 1970s.  The ‘Night Librarian’ of the OU – a service of international librarians accessed via the OU website – found copies of the magazine for me in Milan and somewhere in Germany, but not in Barcelona. 

I sulked.   

I knew that I could go to the British Library, but that was a flight away from where I was.   

I sulked.   

It was only when I enquired about a book in the art gallery shop on Montjuic and the shop assistant casually asked if I had tried the library on the first floor that things became to happen for me.   

The library, whose existence I had not guessed at, was a positive treasure trove.  My magazine was there, and was photocopied for me; other books that I had hoped to read but had given up finding were there; suddenly, everything seemed possible!

Perhaps the mistake is mine.  I am in a foreign country and I have not exhausted the availability of institutions that might be of help to me.  But, sometimes you just have to admit that you have failed.

One piece of work that I was doing concerned the artists Álvaro Guevara and David Hockney. 

I was comparing Hockney’s A Bigger Splash with swimming paintings by Guevara.  I had seen one of Guevara’s paintings in an art book I owned, and I was able to find a colour reproduction on line from an auction catalogue, but I did not know where the original was. 

After much searching on line, I did see what I thought was the painting in a lifestyle magazine and I was eventually able to contact the owner who very kindly allowed me access to the paintings that he owned and I was able to complete my work. You can see the finished essay here:

http://independent.academia.edu/StephenRees

But one painting by Guevara (with a tempting title that paralled Hockney’s) I was never able to find.  I knew that it existed and had been exhibited, but beyond that, nothing.  I wrote, I telephoned, I searched, but I could find out nothing about the present whereabouts of the painting.  A dead end.  

Or a nagging lack that might, one day, prompt me to revisit what I didn't find the last time I tried!  

Something for the future!

As is getting to terms with Spotify if I persist in being unable to get music from one machine to another!