Playing The Game

 

The fact that I am tapping the keys to my laptop early in the morning is a tribute to my determination to lay off my compulsive reading of The Guardian as soon as I had eaten my muesli.  The unrelentingly awful news contained in its pages, that seems to bring to mind the worst excesses of the 1930s, and the feeling that I could do nothing about what was happening, was certainly beginning to get me down.

I now give the Guardian headlines a rapid scan on my phone and do the quick crossword and then leave the gruesome details for later in the day.  I still listen to the Today programme on Radio 4 - there are limits about how far I am prepared to go to set myself free from negativity – but there is something more transitory about hearing the news rather than reading it, and that makes it easier to take.  At least for me.

There is always the problem of 45.  I, like so many others, have never (and will never) come to terms with the reality of the present POTUS.  You see, try as I might I cannot get the news out of my mind, no matter how early in the morning I get up!

I have been struggling to find an image to sum up my understanding of how characters like 45 and the ex-third-rate Foreign Secretary actually see the world.  I know that both of them are incapable of seeing anything without the opaque filter of their own egos, but I do wonder about characterising their views of the political reality around them.

I suppose the easiest way for me to consider them and their activity is to find a game that can act as a metaphor for their respective approaches.

To start with 45.  I think that he sees the world as a game of Jenga, but his concept of the rules is not to see how many pieces he can pull out without destroying the construction, but rather to find the piece that will bring the whole structure down to ruin – and then reveal that he actually owns a much better, gold plated, Trump-stamped version of the game that will make everyone (i.e. himself) much better off.  And, after all, it’s only a game – and a game that lacks the seriousness of, for example, golf.

Johnson, (I refuse to call him by his Christian name because that gives a faux chumminess to his selfish egotism) is the leading instigator of coulrophobia in British life.  Dangling from a zip line while waving a toy Union Flag, tousling his carefully unruly hair, roguishly spouting Latin to liven up his calculated throwaway phrases, he assiduously works to polish his upper-class-twit-of-the-people image to mask his embarrassingly naked ambition.

His game is a more sophisticated one than 45’s, it’s the game of tea leaves.  You wait until the dregs are left in the cup, swirl them around and invert the cup then gaze at the pattern that is left and interpret it as a sign of the future.  Johnson is a master of pareidolia, apophenia, patternicity and agenticity – all of those are words that define the ability to perceive patterns where none, perhaps, exist.  Johnson wittingly or unwittingly (both work for him) situations and then he defines the resultant chaos through the refining lens of his own ego.

And, of course, Johnson has perfected the “delete all and insert” approach to life.  The term comes from my experience in General Body meetings in university where in student debates someone would propose an amendment of the “delete all and insert” type which converted the original motion into its opposite!  Johnson is very good at that because he lacks historical perspective – at least as far as his own ethical narrative is concerned.  So, to play his game, all you have to do if the last set of tea leaves were not satisfactory is drink another cup of tea and get a new set.

 Johnson is a ‘crisis manager’ not, in any sense that he is able to calm the situation or even manage it competently, no, his type of ‘crisis manager’ is the type that makes the most of a self-made crisis to advance his career.

Johnson is working to emulate his role model, 45, so that he can walk down Oxford Street and shoot someone and get away with it.  Given the way that he is regarded by the so-called base of the Lower Than Vermin Party, Oxford Street might be a no-no, but the High Street in one of the more rural shire villages might be a possibility.

It is now time for my swim where I can wash away the import of the previous thoughts, at least for an hour or so.

And then back to my work on Elsheimer, who is proving to be a much more elusive character for my research than I would have thought possible for a painter who is, undoubtedly, famous.  But that makes it all the more interesting and I have ordered books!

When 45 and Johnson have been consigned to the ignoble waste heap of grotesques, the paintings of Elsheimer will still, in their jewel-like intensity, be providing delight.  And that is an article of faith that I keep hold of whenever I listen to the news!