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So, all I had in my trolley was one loaf; looking, as I am sure the evil geniuses in Tesco had planned, as lonely as a Philip Glass enthusiast in a Puccini Convention. Keep with me; we’re getting nearer to an explanation.
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The past few days have been misty: that damp mist which gets straight though clothing to the very marrow of your bones. The quality of light is depressing too. The hell with the so called ‘soft’ days of the Irish; they are depressing but, in spite of this, or more likely, because of it, I used the Fifth Day of the Photographic Odyssey to find something of bright colour to enliven things.
When I first went to Turkey and in spite of my almost complete lack of artistic ability, I drew something every day that I was on holiday. I’d like to say that three weeks of practise meant that at the end of the time I produced effortless sketches which used line in new and exciting ways. But I didn’t. What I did do was look more closely at things like monumental guns, tasteless marble veneer memorials, tennis club chairs and a bottle of aftersun to ensure that I made a version of what I was looking at which bore some sort of resemblance to the object observed. I don’t think I had ever ‘looked’ so intently at anything on holiday before (even on revealing beaches, because, remember, I probably had my glasses off!) I am finding with the effort to produce photographs each day that I am reliving that intensity of observation.
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I think the shot of the trowels is somewhat sinister, while the other shots are intriguing, though I’m not sure about their success. The portfolio is growing and I’ve taken the ultimate step and have taken one photo to be enlarged and framed. It is supposedly for a present, but time will tell.
Two books read this morning. The first was by Tom Baker (yes, that Tom Baker) called “The Boy Who Kicked Pigs”. It was a thoroughly uncomfortable read which I thoroughly enjoyed. It is ostensibly a children’s book, though there are telling moments which show that Baer is fully aware that adults will be reading it. Knowing the man, it is very easy to imagine his voice reading the words and there is an oral quality to the writing which gives it an added liveliness. It is formulaic, and it would never have existed without the disturbing quality which has been added to children’s writing by the enjoyably distasteful book by Roald Dahl. I thoroughly recommend it and the drawings by David Roberts are grisly and a more than adequate complement to the narrative.
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Tomorrow Toni’s mum arrives and our hope is that she will demand to be tied to the kitchen to provide us with full examples of her expertise in Catalan Cuisine.
I shall eat for Wales!
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