Cold research

New Lockdown, Third Week, Wednesday

 

It was cold this morning and even I questioned the wisdom of wearing T-shirt and shorts with open sandals on my earlyish morning bike ride.  Admittedly, I was wearing a windcheater, mask and helmet which added to the general warmth, but my hands were definitely less than warm.  I mention this because, even when my legs are cold to the touch I do not feel too much discomfort, therefore for me to complain of the cold means that it’s, well, cold.

     It did get better during the day and we were able to have the window of the living room open without too much discomfort, but the reality of the second half of November is beginning to make itself felt.  And that is depressing because we have months of non-summer to look forward (!) to.

     The good news is that the swimming pool should re-open on Monday with the same restrictions as previously, that is, only ten people allowed into the pool during any one hour, meaning that the pool will have to keep to a maximum of two people per lane and reserving your place is essential.

     I have just checked and the booking app has the activities for Monday 22^nd of November listed, but greyed out at the moment, so they should become active towards the end of this week.  I will have to check in daily to ensure a place as, believe it or not, the 7 am slot for swimming is quite popular!

     I have to admit that it will be relief to get back into the groove of early morning swimming, as I am not the world’s greatest bed-lazer.  Although the is an initial spasm of resentment when the alarm does off at 6.15 am, it soon passes and I knuckle down to demands of the day and I think that I am becoming more or a ‘morning person’ than a ‘late night denizen’ – especially as I usually go to bed at around 10 pm nowadays!

     And perhaps the early morning start will encourage me to start filling out my notebook again.  This, of course, depends on what the swimming pool café is allowed to do.  If they can serve a limited number of patrons who sit physically distanced then that is ideal for my creative exercise.  If not, I really will have to make time to start a tradition of filling in the thing at another period in the day.

 

My Catalogue Raisonné is taking shape, and, at the moment, I am bogged down in the detail of the thing.  Getting accurate measurements and remembering (which I think I have not in my notes) that height goes before width in the dimensions of paintings and prints is a trick I should have learned by now.

     Finding out more details about the Habitat prints is becoming very difficult.  In 1999, the Habitat store in the centre of Cardiff had a scheme whereby a number of their employees were given training and the opportunity to produce a limited-edition print.  I bought three of the prints, two of which I have, and the third got lost in the move from Cardiff to Catalonia (together with a raku plate depicting fish).  I cannot fully decipher the signatures and there appears to be no information on the web about the scheme or the artist printmakers.

     Just to give you some sort of idea about the quality of the sales assistants in Habitat at the time, one of the printmakers with whom I spoke was actually a fully trained architect, but he couldn’t get work as an architect and so working in Habitat was at least in or around some sort of cutting edge design.

     I have Googled what I think the names are but have had no luck yet.  I will print out their signatures and see if anyone out there recognizes the handwriting or the signatures.   

 

 

I would dearly like to find out more about the consequences (if any) of the scheme with what happened next in these young print maker's careers.  Do get in touch if any of what I’ve mentioned happening twenty years ago rings any bells.

     And, before you ask, I have tried to contact what is left of Habitat these days, and they are only taking queries about problems in sales and delivery owing to the pressures of Covid, so no luck there.   I am patient – up to a point and will be satisfied with eventual knowledge as long as it comes soon!

Ease of expression

New Lockdown, third week, Monday

 These are the first words that I have typed with my new keyboard.  After many years of good-natured abuse of my previous keyboard, it has finally, if not quite given up the ghost, then it has decided to be whimsical with it allowing certain key keys to work.  It is difficult and frustrating to have to check every word that contains an ‘e’ or an ‘i’ to find out whether the damn thing has worked.

     Rather than allow my default position to come into play (i.e. buying new immediately) I allowed myself to be influenced by Toni who suggested (not unreasonably) that, armed with cotton buds and wet wipes, I attempt first to clean the thing.

     A determined cleaning of a keyboard is immensely shaming because of the sheer amount of filth that you are able to dislodge from between the keys (in spite of the fact that you had, you really had gone over the keyboard regularly with moist tissues to clean it) and the shocking amount of detritus that falls out when you turn the keyboard upside down and gently knock it about a bit.

     And, I managed to convince myself, it all really made a difference.  Except it didn’t, and wishful thinking does not supply missing letters, but Amazon does.

     So, within hours of placing the order, I am now the proud and much poorer possessor of a new Magic Keyboard. 

     The new version of the keyboard is smaller and thinner that what I suppose I ought to refer to as my old ‘vintage’ keyboard.  The function keys are the same size as the letter keys and the rechargeable battery is built in and charged via a lightening thingy.  There is less key travel than in my old one, and the old separate tack pad looks as though it comes from a separate universe and is nothing like the same size and colour as the new keyboard.  But it works and I am damned if I am going to pay Apple prices for purely aesthetic cosmetic reasons – which possibly shows that I am not a ‘true’ Apple owner!

      So far, so good.  The keyboard appears to be working well and it is a relief not to have to look at each word with suspicion to see if the most common vowel has made an appearance!

 

 

 

There is something deliciously ironic about Johnson having to self-isolate while averring that No 10 is a Covid-secure environment, in spite of publicity photographs released showing Johnson without a mask and inside the appropriate physical distance from the MP who later proved to be Covid positive.  Johnson doesn’t really seem to learn from past infections.  But then ¡he doesn’t really seem to learn essential lessons from anything, so perhaps no surprise there.  Again.

     And to think this was the week that Johnson was going to re-set his chaotic ‘government’ after breaking friends with his bestie and finally going to get the easiest trade agreement in history.  Withering contempt does not even come close to what I feel for that vicious charlatan.  Well, he won’t have Cummings to blame for things going less than well (!) when the end of the year finds the UK totally unprepared for anything that is likely to happen.

 

I spent my time on the bike this morning wondering if I would get back home before the rains.  It was one of those day when what you thought the day was going to be like depended on which direction you looked in: to the south east the sky was bright and there was some glimpses of sun; to the north west the low cloud cover was dark and, as I cycled nearer to Port Ginesta I actually put my lights on!

     In the UK, I would have said that rain was inevitable, but by the time I had turned around at Port Ginesta and started to make my way back, the sun came out and, although not entirely convincing, it hung around for a while to make the journey more positive.

     Now, we are in the customary ‘brightly dull’ weather at which Castelldefels excels. And which gives hope for future sunshine.  I hope that is frequently realized, even when things look hopelessly dank!

 

The first steps have been taken towards making a Catalogue Raisonné of my ‘artistic’ holdings a reality.  I don’t think that there is any point in producing a purely academic version, so I think that I will make it a chatty one and use the art described as a way of encouraging more discursive writing.  The technical bits I can attempt to make as academic as is required, but the descriptions can be a little looser and, as ever, a trifle more self-indulgent.

     I can tell that I am going to have problems with dates and names.  Most of the art works are not dated and the names are either indecipherable or not there.  And for the single piece of Ewenny Pottery that survived my childhood fingers – how to describe it and date it?  And if pottery is included, why not glass, even though most of my glass is commercially produced and at the moment it is in storage because neither of us is drinking very much wine at the moment? 

     And china, even my everyday plates and bowls are now no longer produced, perhaps they merit inclusion! 

     And what about my discarded ‘vintage’ keyboard, that surely has a right to be catalogued, though as I no longer have the box I cannot get full dollar for its resale value!  And the keyboard suggests that old computers and aged but not discarded mobile phones should be candidates for inclusion.  But, perhaps I am getting beyond myself and I should stick, at first, with the more conventional elements of art.

     The research for this is going to be fun!  And I hope informative, though the accusation of cui bono could always be levelled against such an enterprise.  As if mere logic and utility have ever been compelling guiding principles for me!

 

It’s the thinness of a piece of pork lion that makes the difference.  At least this is what I have been told by Toni, who has rejected the present pieces of meat that we have and demanded daintier.

     And that gave me an opportunity.  There was no way that I was going to throw out a whole tranche of loins (or lions as I first wrote) because they were a few millimetres too big.  So, I decided to make a stew.  It’s a long time since I’ve made a decent stew and I am looking forward to dinner this evening when Day 1 of the stew will be sampled.

     The real joy of stew is not the Day 1, run-of-the-mill offering that you get (satisfying though it often is) but rather the Day 3 or Day 4 version with the delicious accretions that make each Day of Stew wonderfully different.

     It will, alas, be a singular pleasure as Toni deigns to eat such things – and it is also the reason that the stew might last until Day 4!

     At some point I always weaken and add curry powder and perhaps a few pieces of pasta to the softened potatoes already there and, together with a few nuts and some dried fruit always give it a bit of a zing!

     Just in case all of the preceding sounds a little too professional, I have just realized (having taken the finished stew off the hob) that I have added no onions, garlic or leeks – which were specifically bought in our last jaunt to the shops (to get out of the house) to add the flavour that all expect.  I am now debating whether to go back downstairs and add the ingredients that nobody (nobody) forgets or wait until tomorrow to give an entirely different taste to the experience.

     The hell with it!  What’s an extra hour with a slow cooked stew?  I’ll add them before I settle down to a little artistic research!

     Essential ingredients duly added – roll on dinner!

When you don't know it's Sunday, its time to think!

 New Lockdown, thrid week, Sunday.

 

 

 

 

In theory this morning, I should have been surrounded solely by my fellow citizens of Castelldefels as I went on my accustomed bike ride.  During the weekends we are legally bound to keep within our municipalities.  Yesterday there was a police control on one of the roads coming off the motorway checking, well, asking people where they were from.  When we were asked and replied, “Castelldefels” w were further asked where in the city we lived.  Having given the answer, we were waved on without further ado or any checking.  To be fair, my car windscreen does have a Castelldefels parking permit, which could have been an indication that we were telling the truth.  Policing of the lockdown restrictions where we live has, you might say, been somewhat unobtrusive.

     Today is a bright, sunny morning – just the sort of day when you might feel like visiting the seashore and walking along our extensive paso.  There were no police in evidence anywhere along my ride at the key points where access roads from ‘outside’ allow entry to the beach area of the town.  And if we are relying on trust for these restrictions to work, then information and graphic videos from around the country and the world show just how ineffective relying on people to do the right thing can be.

     I did note today that although a majority of people passing me were not wearing masks (and I include those with the mask under the nose and one the elbow!) the minority who do wear their masks is slowly getting nearer to parity.  Perhaps by the time the first vaccines hit, we might actually have made 50%!

 

 

 

Cummings fall from grace echoes other ‘over mighty’ counsellors like Cromwell, More and Wolsey, with somewhat less fatal results.  Which some might bewail.  And I think that I will leave the last sentence there with its nice ambiguity!

     Cummings’ influence has been truly poisonous and it is difficult to feel any sympathy from a person who has shown so little in the execution of his duties.  The fiasco of the illegal lockdown trips for ‘child care’ and ‘eyesight testing’ had a direct influence on the way that the restrictions were perceived, and emphasised the ‘one law for them, another for us’ syndrome that is so clearly in evidence here in Spain too with the kid glove treatment of the criminal activities of the so-called king emeritus and his corrupt financial dealings.  At a time where unity of purpose is essential, establishment figures seem to go out of their way to undercut acceptance.

     Cummings should not be the story; Covid and its management in the UK is the essential narrative that we should be concerned with, though Johnson must be terrified that he is going to become the intense focus of attention, and he will have to step up and take some sort of responsibility for the chaos that characterises his method of ‘government’.

     To be fair to Johnson, I do not for a moment believe that he has any ethical rock or ideological motivation.  It is, of course, unreasonable to expect a narcissist to be anything other than self-regarding and as, by definition, he cannot be wrong, he will continue to find others to take the blame for his own deadly incompetence. 

     All Johnson has to do is look over the Atlantic to see a master class in the survival game that he wants to play.  Trump’s reasoning is, “If I am losing an election then it must be rigged.”  Simple, elegant and criminally deranged. 

     This is the game plan that means that the population of the UK has to be blamed for the increase in Covid infection and not the people elected to manage its containment: the greater the numbers the more at fault those being infected are!  There is a sort of evil elegance to such reasoning.  And, of course the PBI not only get to suffer but also get to pay for their suffering! 

     Modern Conservatism to a ‘T’.

 

 

 

 

 

 

 

“Daddy, what did you do during lockdown?”

     Yet another re-working of the First World War recruitment poster is an accusation to those of us with time on our hands to think about what we have made of the extra ‘space’ imposed on us.

     I should be writing.  I know that I am merely by keeping this blog up to date, but the writing that I am thinking about is what starts in my notebook and is sometimes worked up into poems.  As I have explained before, my routine has been shot by my not being able to go for a swim and then to have my reward of a cup of tea in the pool café, where I then write in my notebook.

     I know that it should be perfectly easy for me to write in it at any other time – but it just doesn’t work out like that.  So, my writing has been a little desultory.

     I have therefore decided to do something different and (for me) interesting.

     I am going to compile a Catalogue Raisonné of the art works that I own.

 

 

 

 

     Not only is a Catalogue Raisonné something which is necessary for insurance purposes [that sounds a bit forced, but at the same time there is an element of truth to it] but also it will, I am sure, bring to the surface some ‘art works’ that have been unduly neglected over the past few years. 

     What, for example, am I going to class as artworks?  The small penguin figure made by a youthful Pat Giles in Rumney Pottery and bought by me as a present for my grandmother, will certainly count.  But what about the Coty bunny (without the bottle of Coty L’aimant in its little paws) bought as the final present my mother recognized getting from me?  Surely, that counts?  If Duchamp can have ‘readymades’ then I should be entitled to ‘bought objects with emotional charge’ as part of the catalogue!

     From where I am sitting typing this I can see four, framed ‘works’.  The first (and largest) is an ink drawing that I bought when I was a student in Swansea; the second is a page from an artist’s sketchbook; the third an elegant ‘joke’ birthday card where a penguin (a recurrent visual theme in my life) is treated in the style of various modern artists; the fourth is four framed medals of my paternal grandfather from his time in the British Army in The First World War.

     The great thing about a Catalogue Raisonné is that it has nothing to do with monetary worth (the ‘insurance thing’ was just a ploy to get me started and give a facile ‘purpose’ to the enterprise) but the written description that accompanies the objects can hint at the true non-monetary value.

     Then there is the question of my watches – not one of which is truly (or in some cases even remotely) valuable – but they do have a sort of worth and many have excellent design and they are worthy of consideration.

     So, far from being something which is static and visual art fixated, my Catalogue Raisonné will be dynamic, its scope changing with its development and how I look at what I possess.

     I’ve just thought, what about my (pitifully) small number of first edition books?  (Peake, Coward, Huxley) and my older tomes, like Swift – and when I say like Swift, I mean just Swift.  They too have a place.  And it will be fun finding out exactly how the condition of these books is described and replicating the language in my personal catalogue!

     The first thing to do is begin to take photos of what I have and then put them in the inevitable booklet that is my default position when confronted with a visual and writing project.

     I will start at once!