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Showing posts with label catalogue raisonné. Show all posts
Showing posts with label catalogue raisonné. Show all posts

Monday, December 07, 2020

Oh god, not him!

 

 

Gove heads to Brussels after last talks ended in legal threat and acrimony  | Shropshire Star

 

There is surely nothing more engineered to foster confidence about the Brexit talks than to see the charlatan Gove (the love child of a defrocked pixie and a gobby goblin) skuttling his elven way to Brussels to – to do what exactly?  To add his five pennyworths of facile, slimy lies to the morass of doublespeak that is the British ‘position’ in what should be negotiations?   

     God help us all when that chubby cheeked cheat speaks for Britain!  Still, I suppose Gove can use his White Queen trick of believing five impossible things before breakfast to encourage his verbiage (conveniently forgetting his previous belief that Johnson was supremely unfit to become prime minister) and marching forward to defend the indefensible.

     I felt physically sick when, on the news this evening, I heard that the British Government had offered up as a bargaining chip to bring the discussion to a ‘satisfactory’ conclusion the offer not to behave illegally!  How jolly decent of them because, of course, an Englishman’s word is his bond, unless it isn’t.   

     How the EU side can stop themselves from treating the shambles of the British position with anything other than contempt, I really do not know.

The NeverEnding Story DVD 1984 1985 by Noah Hathaway: Amazon.es: Noah  Hathaway, Barrett Oliver, Tami Stronach, Patricia Hayes, Sydney Bromley,  Wolfgang Petersen: Cine y Series TV
    


Let’s face it, at this stage of the “Never ending, stor-ree!” (just thought that I would throw in a reference to the true earworm that music is) the only thing motivating the British side is not, emphatically not, Britain.  Our negotiators couldn’t give a toss for the country and the bulk of the people in it.  Fishermen, the population of Northern Ireland, businesses, imports and exports, areas of deprivation, they have all been thrown off the bus – you know the one that the liars’ liar Johnson paints for recreation – and the members of Johnson’s third or fourth rate cabinet merely look to their wealth as they crunch over the bones of the suckers who ever thought that they might be of concern to them.

     The Conservative Party, as we are regularly told, is one of the most successful political parties in the western world, and it has got its power and its longevity by a callous disregard for anything other than its own survival.  If they do good, like the 1944 Education Act, it is almost by mistake, and they certainly did not reward the architect of that act, RAB Butler with leadership of the party when the time came to choose.

     Johnson, the Man Who Would Be Prime Minister, does not have the intellectual or moral worth to be able to sustain the role.  He has got to where he is today by systematically lying and showing utter disregard to anyone and anything other than himself and his ambition.

     His empty rhetoric way wow blue rinsed ladies of various Conservative Associations, but it doesn’t work when practical things have to be decided on the basis of that rhetoric.  Johnson has no interest in the rules and regulations that govern institutions, he is, as virtually everyone has pointed out, not a details man.  Unfortunately (for us) he has become prime minister at a time when a details man is exactly what is needed.  Rhetoric kills – look at the number of Covid deaths in the UK.  Rhetoric destroys – look at industry still desperately asking the government for leadership and information about what is going to happen in a few weeks’ time.

     “Get Brexit Done!” – the perfect meaningless jingle for Johnson, allowing him to sound dynamic while the empty platitude played well with people who wanted simplicity in an almost terminally complex situation.

     Now we are in the final days when all the detail that Johnson hates so much is everything.  Rhetoric has to be written down in legalistic words where there is no wriggle room for gaudy metaphor and inept simile.

     Johnson’s shoddy, corrupt government now has come to the crux of negotiations.  Real things have to be decided and the only, the absolutely only (I know that is tautology, but I feel it fits here) thing that is motivating Johnson is what he can get away with.

     He will, as he always has done in the past, junk anything and anyone to get what he wants.  His situation is desperate: No Deal will be a financial disaster, and even his most stupefied followers will have to own and admit it eventually; a thin deal will please nobody as everyone will feel hard done by; a generous deal will be regarded by the Brexit fanatics as an act of treason.  There is nothing that Johnson can get out of Brussels that is going to satisfy everybody.  Perhaps there is nothing that Jonson can get out of Brussels that is going to satisfy anybody.  And he is going to have to own it.  And he will not be able to do that.

     I can imagine somebody doing the sums (Johnson is far too lazy to do them himself, and besides he doesn’t really know who is in his party anyway) and trying to work out which deal would be the less disastrous.  And the disaster will not be related to the people of Britain it will be directly linked to the fortunes of the Conservative Party.  Politics, not logic or faith or economics or fairness or justice, is going to determine what we get from the “oven ready” deal that has taken four long years to cook.

     And unless Johnson uses the “Long Covid Symptoms” to fabricate himself a get out of parliament card, then he is going to have to own the disaster of his making in years more of his narcissistic premiership, when we will continue to pay the price.

 

I put that bad feeling that you have just read down to the fact that I got to the swimming pool an hour early this morning.  Today was ¡Fiesta! and tomorrow will be an extra day of holiday so instead of opening at 7 am it will open at 8.  An extra hour in bed?  Not really, I am programmed to get up, or at least get ready to get up, at 6.15 am, and if I say in bed longer I feel that I am cheating and I do not get any real benefit.  It is easier to get up at the normal time and do neglected housework to make the time feel valuable, and to give myself a warm glow of self-satisfaction!

     But today I forgot about the holiday and so I had to come back home and do neglected housework etc etc and complete the Guardian Quick Crossword, rather than fill in a single clue and then leave it for later after the swim.

 

 [Yes, I know this image is not upright, but it's too late and I'm too tired to re-jig it]

My catalogue raisonné continues apace with items of little value, but some interest, filling the pages.  Compiling the catalogue is forcing me to look again at some things that I have ignored for years.  For example, I have decided to list a copy of The Selected Poems of Oscar Wilde.  This is a volume printed in 1912 with a soft brown suede cover stamped with an interesting Art Nouveau flower design and with the title stamped in gold.  It is not particularly valuable, but it was bought by my father to give to my aunt who in turn gave it to me a quarter of a century later after my father’s death. 

     The suede is rotting and has an unpleasant feel to it, the binding is unravelling, the pages yellowing – and yet, it is important to me.  There is always something about reading the actual pages that people important to you have read before you, whose hands have held the volume in the way that you are holding it.

     Yes, I realize that this is Romantic nonsense, but it doesn’t make the oddly satisfying feeling I have when I handle the book any less real to me.

     A worthy addition to the catalogue!  And it takes my mind off other things.

 

 

 

Tuesday, December 01, 2020

A Stab to Start the Day

 

 New Lockdown, Day X, Tuesday

 

Color silhouette cartoon blue electric toothbrush Vector Image

 


 

Not everyone starts their day by stabbing themselves with their electric toothbrush.  And I mean real stabbing.  With blood.

      Not an easy feat, but I managed it.  The head of the brush somehow or other came away from the main body of the brush and I then was distracted by the perception of distance and I brought the vibrating metal stalk forcibly into in the right-hand side of my mouth, just below the bottom lip!  It certain woke me up, and any lingering drowsiness was jabbed away in a concentrated moment of pain.

     Before you start thinking of wasting any sympathy on me and my injury, I would point out that the puncture is small and it looks more like a shaving nick than anything else – but still a wake-up call to the unwary to beware of seemingly domestic dental devices.

     When I checked the errant brush head, it did look a little worn and perhaps I should have replaced it earlier.

     Toothbrushes (and electric toothbrush heads) are in a category of simple things that could be easily and cheaply replaced but aren’t, until something happens.  This is a category they share with wooden kitchen spoons and spatulas; face flannels; tea towels and coffee mugs.

     Actually, the last item, the mug, is something that I will throw away as soon as I detect even the smallest chip or crack – some things are ingrained in your innermost soul by maternal edict that cannot, dare not be gainsaid.  My mother regarded a chip or crack in pottery and china as being as toxic as a vomiting fly, safe harbours for unmentionable and uncountable germs.  Discard instantly!  And I do.

     But the other things?  I have some wooden spoons (not thrown away) which look as though they were carved from a beam in the ark; tea towels that have only the faintest suggestion of pattern, others delicately threadbare.  Why?  They are so cheap to replace, and I am not known for my thriftiness – indeed, in certain respects I am an eager celebrant at the altar of planned obsolescence.  But you can almost read the history of our family in the tea towels that we use, whereas my purchases of watches or computers brings tears to the eyes of my bank manager, and untold you to manufacturers.

     I have known people (well, one person) who would refuse to go into a café for a cup of tea because of the mark-up on the cost of a cuppa compared with what he knew it cost at home.  He would actually wait outside the café while the rest of us imbibed in feckless luxury and then re-join us when we had finished our squander.  But for other things, he paid the price asked without question, even when the profit margin was just as substantial.  Ah well, one shouldn’t always look to logic to explain how humans work.

 

Roberts - Radio (Portátil, Analógico y Digital, Dab,Dab+,FM, De 3 vías,  802.11b,802.11g,Wi-Fi 4 (802.11n), 3,5 mm): Amazon.es: Electrónica

 

 

The radio in the kitchen is a Roberts and is Internet linked, so, in theory I should be able to get Radio 4 (without which civilized life is not even remotely possible) but the reception is unruly.  Toni has suggested a solution which involves turning the electrical wiring system into some 
 
sort of conduit for the Wi-Fi link to the internet.  All this involves is the purchase of a link from the router to the socket and then another link from the socket to the radio: one of those “plug and play” solutions.

       

     “Ho!  Ho!  Ho!” he laughed hollowly.  It didn’t work.

     The reason it didn’t work is that the link to the router has to be direct to the socket in the wall.  That, in this house is a problem.  Built in the days when a couple of sockets was more than enough for any home, the availability of power is an ongoing quest.  And an extensive use of extension leads.

     The router is in the living room and the radio is in the kitchen.  The area behind the television and almost hidden from view is a writhing mass of cabling for the basic electrical necessities of modern life.  There is no socket available for the frivolity of getting Radio 4 when so much else needs power.

     No problem.  We have another router on the third floor.  The house is built of concrete and is terrifyingly solid, wi-fi needs boosts to get all the computing machines to work, so all I had to do was find the socket on the third floor and we could try that.

     The third floor is my workroom.  It is also a comically unreal picture of cluttered chaos.  Bookshelves line the walls and extension plugs proliferate.

     Finding The Source of The Nile was one of the great stories of exploration and daring, but it pales into vapid insignificance when compared with the Search for the Socket on the Third Floor.

     There is no space.  For anything.  On the Third Floor.  If anything is moved, then something else must be moved to make a space for the thing that has been moved to a new location.  At the moment, when many, many things have been moved, the space looks like a vindictive labyrinth, and my progress from desk to stairs is in a slow undulating slink as I manoeuvre around insecure piles of stuff and am rewarded by sharp book corners biting into ankles and shins.

     Like some demented game, I followed power leads, trying to find their source – only to be frustrated by finding one trailing socket only led to another trailing socket, not to the true source of power.  Crouching, crawling, moving books to move bookcases, shining a torch behind pieces of furniture (and ofttimes being bewitched into reading volumes that I had not seen for some time, but then needed by immediate attention) I felt the full weight of despair.  Indeed, I began to doubt that that there was ‘a’ source of power – it (The Power) was numinous, it was ubiquitous, it was ‘there’ and not to be questioned or assumed to have a simple source: it simply Was.

     Well, that is fine and dandy thinking for Scholastic monks, but I needed the physicality of a plug.  Which I eventually found directly behind me.  A four-socket thing, with leads going off in all directions but, amazingly with one socket free.  End of story.

     No.  The lead supplied with the magic plug is too short to reach the router and the router cannot be moved.  So, in spite of all my misgivings about the pernicious influence of Amazon in the world today, necessity bent my principles (again) and a longer lead has been ordered and will be delivered to the door tomorrow.  When we will discover the next problem to cope with.  Plug and play indeed!

 

 

Mitridate, re di Ponto', de Mozart, en el Liceu el 2 de diciembre | Liceu  Opera Barcelona

 

Tomorrow the Liceu is putting on a performance of an early Mozart Opera.  The original date of the performance has been changed twice.  The time of the performance has been brought forward by two hours, and the audience has been limited to 500 people.  Masked, we sit in a circle of empty seats – and are grateful that at least something is being done in the season.

     Because of the re-arrangement the cost of the ticket has been halved, and as I sit in an aisle seat in the front stalls, that is a considerable amount of cash!

     This is a concert version of the opera, which is never a truly satisfying way to see an opera, but it was always going to be a concert version so I have nothing to complain about there.  The countertenor in the piece has a wonderful voice and I only hope that it is enough to keep me interested in a less than convincing narrative – though there are powerful human passions behind those ordered notes!

     It will also give me an opportunity to see at least some of the Christmas Lights in Barcelona, and perhaps I will feel a little more of the spirit of the ‘festive’ time – though the only present that anyone really wants is a double dose of efficient vaccine!

 

The excavations on the Third Floor have revealed more items that will be added to my growing Catalogue Raisonné, including one thing that I had thought was long lost!  It is good to see that there is some gain from the pain of sorting out!

 

 

 

 

 


Wednesday, November 25, 2020

Traditions are for the making!

 New Normal, Day 3, Wednesday


There is something deeply satisfying in being in on the creation of a new customary procedure.  Especially as I had little or nothing to do with its physical creation, I merely curated it into existence.

     Sitting outside the Liceu on my shooting stick, propped up against the railings leading down into the Metro, just before by time slot for entry to the first Covid restricted performance of an Opera for ages, I received a phone call from a friend in Cardiff.  It has to be said that actually making and receiving phone calls on my mobile phone is one of the least important functions as far as I am concerned.  And that lack of interest in the ostensible raison d’être of the machine shows itself in my customary total confusion if the thing actually rings.  As I always have the phone set to mute, it is a chance in a thousand that I ever get to realize that a call is occurring, and then answering it with the correct finger movements on the screen makes the likelihood of it being successful even less likely.  However, this call sort-of worked and I found myself talking to SQB.

     Not only did we manage (eventually) to converse, but also she managed to send me photos of cards that she had been making for charity, I instantly ordered some to be sent to me in Castelldefels, together with a selection of tree decorations that she had also made.

     Even before the cards arrived I began to formulate plans for them which did not include merely putting them in envelopes and sending them off to other people.  The end result was that I selected four of the cards that SQB sent and took them off to be framed.  I now, therefore, have a square grouping of four of the cards in a bright red Christmas surround in a gold metallic frame.  And it is now up on the living room wall as part of our Christmas festivities.  And will be a recurring part of Christmas from now to the end of time.  A tradition is born!  Thanks, SQB!

     This means that SQB now has a third entry in my Catalogue Raisonné, which, by the way is going from strength to strength with almost 40 works of art listed, not including some books, pottery and a fluffy bunny.  My catalogue will be nothing if not eclectic.

     I have still not decided what I am actually going to ‘do’ with the catalogue.  The one clear practical result of my starting it, has been that I have re-examined what I have, and have at least started the process of moving some of the paintings around and bringing others out of storage and onto the walls.

     In one case, that of my paternal grandfather’s First World War medals, I have discovered that I have had them framed in the ‘wrong’ order.  My grandfather was in that bloody conflict (wounded but not killed, in spite of the best efforts of that bastard Haig’s battle ‘plans’ {sic} [!]) from the start and was therefore awarded the 1914-1915 Star, as well as The British War Medal and The Allied Victory Medal.  That order is the order in which they were usually worn and I suppose it should have been the order in which they were framed, left to right.  He was also given the Abergwynfi and Blaengwynfi Commemorative War medal, a rather different looking medallion, and I have no idea where that should have gone in the sequence – probably at the far right.  I have always regretted that I did not have a contemporary photograph of my grandfather framed with them.  One does exist showing him wearing his metal helmet in a jaunty and, for the army, in a totally inappropriate way.  Perhaps my finding out the order was ‘wrong’ gives me an opportunity to have them reframed with his photograph giving the lifeless pieces of metal some sort of personal humanity.

     I think that my underlying intention of compiling the catalogue was to use it as a basis for further writing: the stories or thoughts that go with each piece.  Some of the works of art have obvious ‘stories’ – at least to me – while others are perhaps more subtle in the way that they can lead on to other more tangential considerations.  Who knows?  See where it goes.

 

When cycling along the paseo, for no particular reason snippets of songs come into my mind.  They are rarely of my generation of popular songs (whatever generation I think I might be a member of) they are more usually odd lines from the songs that my parents sang.

     One of the songs, that I often think I would choose to be part of the “What my parents gave to me” part of the radio 4 programme on a Saturday morning, the sort of legacy music that you pick up because your parents chose to sing it.

     I do not remember the whole of the song, but the lines I do remember and they were the ones that stuck in my mind for most of my cycle, in the way that earworms do, were:

“From New York to the state of Maine

They went in search of more cocaine

Oh, honey have a [sniff] have a [sniff] on me

Honey, have a [sniff] on me!”

One of reasons that the song stays with me, is that the [sniff] part was an actual sniff and not the word.  I thought that was very good.  At that age (less than 8 years old) I had no idea what cocaine might have been, and the fact that the two main (ill-fated) characters in the ballad were called Cocaine Bill and Morphine Sue, and it really doesn’t end well!

     A few questions present themselves: which version of the song did my parents know?  How did they know it?  Why were they singing it in the hearing of a seven-year old?  I do remember that I used to join in with the chorus with the sniffing!  Ah, the innocence of ignorance.

     Doing a very small amount of research, it is amazing how many people have covered versions of the song, or composite fragments of a few songs, including names revered in Blues and Folk.  But it is still a remarkable snatch of song to graft into your child’s mind!  And before anyone gets the wrong idea, my parents were respectable non-drug taking folk!  A pipe and Australian sherry were their vices! 

     And singing inappropriate songs, as I have just remembered another favourite that I loved hearing because of the ending, was Frankie and Johnny, where after shooting her double-timing man, Frankie is strapped to the electric chair and “sparks flew out of her hair” he was her man, but he done her wrong, as the song puts it so forcefully, so justice had to be done! 

     O! the unfairness of life!  Such valuable lessons to teach a child.