Ah, the ease with which one could make value judgements based on the flimsiest of cultural scaffolding!
I’ve never stopped doing that of course,
though I pride myself that I now know that my cultural background is more
widely shallow than it was.
The bone conduction “ear” phones are
working reasonably well and seem to be a vast improvement on the last set that
I had years ago. That at least proved
that the technology worked, but it has taken some time for the hardware to get
to the level where something more subtle than a base heavy pop track could make
its vibrations through to the inner ear.
I fear that my super-pretentious intention of learning the late Beethoven Quartets while doing my lengths never was really a serious possibility – though now, with the Neptune Finis in all its expensive glory, it might, just be possible.
I fear that my super-pretentious intention of learning the late Beethoven Quartets while doing my lengths never was really a serious possibility – though now, with the Neptune Finis in all its expensive glory, it might, just be possible.
But before then I will have to rationalize
my tracks. Admittedly I do put the thing
on random play so that “Two pints of larger and a packet of crisps” was
followed by a jolly little Bach gigue.
It’s those sorts of juxtapositions that keep me swimming lengths!
I have started listening to my DG set of H
von K, after gloating over the collection.
I do recognize some of the covers as discs that I couldn’t possibly
afford to buy except in sales and so have them all at bargain price is
something of a musical delight.
Not that I am a committed fan of His
Germanic Majesty; I bought (at sale price) one of his conductings of Sibelius
and I immediately placed a sticker on the front saying “DO NOT LISTEN!” I did not throw it away as it was very useful
as a sort of bookend to protect other more worthy recordings from the
end-of-shelf pressure.
It will be interesting to compare my
present understanding of performances of the symphonies with what they were
forty or so (!) years ago – indeed, as I intend to purchase another box set of
his earlier recordings (at an even better bargain price) I will be able to
compare different recordings from different decades of Beethoven symphonies and
those of Brahms and Sibelius.
I can remember a televised performance of
Karajan’s conducting of the Brahms symphonies where he was the only person
shown full face. The orchestra were in
shadow and only their arms and fingers playing the instruments were shown. Karajan conducted with his eyes closed and he
was backlit so that his hair gave a halo effect. The music was wonderful, but I did end up
listening with m back to the television!
These discs are CDs not DVDs, so I should
be fine!
My beach reading of The Tudors by Ackroyd
continues to delight. I have especially
enjoyed reading about her late majesty Queen Mary I. Questions about the likeability or otherwise
of that monarch followed me like an infection from the age of 13 to first year
in University with exactly (and I mean exactly) the same question: “Why was
Mary Tudor unpopular?” I must have
answered that question at least six times in my academic career.
Perhaps I should do a history course I the
OU in the hope of doing it again and producing the final and authoritative
response and put this recurring topic to rest at last! I hope that there would be a little more
depth and complexity in my answer now rather than the simplistic one-two-three
of: was a Roman Catholic; married a foreigner and burned people.
Or perhaps not, I could re-use all the
trite points and try and present them in a post modern, ironic sort of way!
Tomorrow to the Sacred Mountain, admittedly
more for the lunch and the art than the spiritual quality!
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