I think that the definition of optimism is expecting to get a reasonably priced flight to somewhere interesting over a Bank Holiday.
Or delusion.
Definitely delusion. We have trawled the internet looking for the elusive bargain and have discovered that the expectation of such a find is on a par with believing that you can find a bank with ethical principles.
I have to keep reminding myself that I am actually living in a place that I would previously have moved heaven and earth and vast quantities of money to get to for a holiday. To echo the words of Shylock, I am content!
The series of Grans Genis de l’art a Catalunya has reached volume 14 and the painter Josep Amat. This is a painter of whom I have not previously heard and, from a cursory look at his oeuvre, a painter who is not going to be a major force in my appreciation of the painting of the region!
And talking of my appreciation of the art in Catalonia, it turns out that Carmen Cervera, baronesaThyssen-Bornemisza (http://www.hola.com/biografias/carmen-cervera/)
has announced that she will move her collection of 19th and 20th century Catalan art from Catalonia’s Museu Nacional d’Art (MNAC) to Sant Feliu de Guixols Monastery in 2011. She is the high profile protector of the insanely, mind bogglingly incredible art collection that she inherited from her insanely, mind bogglingly etc wealthy husband, the Barón Thyssen-Bornemisza. The collection is split between a number of locations.
The gallery in Madrid is an astonishing place and the modern collection of paintings is very accessible with a wonderful collection of art which is not so exhaustive and intimidating for the casual visitor. For a person not that interested in the ‘hard stuff’ of art and not wanting to traipse around a musty gallery full of incompressible canvasses dulled with ancient varnish the Thyssen-Bornemisza gallery is a breath of fresh air. The masterpieces are there aplenty, but not to the same extent as some of the major art galleries of the world where the pictures seem to press in on the observer and weigh him down with their international significance.
I have described the selection of paintings in the Thyssen-Bornemisza as looking as though someone had decided to give a talk on modern art and, instead of showing slides had decided to pay the representative paintings instead!
I can still remember my astonishment when there was an exhibition of ‘Masterpieces’ from the Thyssen-Bornemisza collection in the National Gallery. I could not understand how it was possible for a private individual to actually own so much of the cultural heritage of the world!
The Spanish government had the artistic bargain of the century when they were offered the collection by the Baronesa (a past Miss Catalonia) for a knock down price of something like £50 quid!
The baronesa is well known for having very definite ideas about how the art given to the Spanish should be treated and she is very touchy about the details of its presentation.
I am not sure what will go to the monastery if she decides to stick to her stated aim to remove her collection from MNAC but any reduction in their excellent collection would be a disaster.
Many of the paintings illustrated in the series of books that I now have on Catalan art have been taken from private collections, but there also a number of galleries mentioned in other parts of Catalonia that I am looking forward to visiting. At the moment I do not know the relative importance of the collections held in these other places but I do know that it is impossible to omit a visit to the gallery in the Monastery of Montserrat. I think that I know a little more about the exhaustive selection of painters that is held in the collection now than I did on my previous visit.
I look forward to another pilgrimage!
Or delusion.
Definitely delusion. We have trawled the internet looking for the elusive bargain and have discovered that the expectation of such a find is on a par with believing that you can find a bank with ethical principles.
I have to keep reminding myself that I am actually living in a place that I would previously have moved heaven and earth and vast quantities of money to get to for a holiday. To echo the words of Shylock, I am content!
The series of Grans Genis de l’art a Catalunya has reached volume 14 and the painter Josep Amat. This is a painter of whom I have not previously heard and, from a cursory look at his oeuvre, a painter who is not going to be a major force in my appreciation of the painting of the region!
And talking of my appreciation of the art in Catalonia, it turns out that Carmen Cervera, baronesaThyssen-Bornemisza (http://www.hola.com/biografias/carmen-cervera/)
has announced that she will move her collection of 19th and 20th century Catalan art from Catalonia’s Museu Nacional d’Art (MNAC) to Sant Feliu de Guixols Monastery in 2011. She is the high profile protector of the insanely, mind bogglingly incredible art collection that she inherited from her insanely, mind bogglingly etc wealthy husband, the Barón Thyssen-Bornemisza. The collection is split between a number of locations.The gallery in Madrid is an astonishing place and the modern collection of paintings is very accessible with a wonderful collection of art which is not so exhaustive and intimidating for the casual visitor. For a person not that interested in the ‘hard stuff’ of art and not wanting to traipse around a musty gallery full of incompressible canvasses dulled with ancient varnish the Thyssen-Bornemisza gallery is a breath of fresh air. The masterpieces are there aplenty, but not to the same extent as some of the major art galleries of the world where the pictures seem to press in on the observer and weigh him down with their international significance.
I have described the selection of paintings in the Thyssen-Bornemisza as looking as though someone had decided to give a talk on modern art and, instead of showing slides had decided to pay the representative paintings instead!
I can still remember my astonishment when there was an exhibition of ‘Masterpieces’ from the Thyssen-Bornemisza collection in the National Gallery. I could not understand how it was possible for a private individual to actually own so much of the cultural heritage of the world!
The Spanish government had the artistic bargain of the century when they were offered the collection by the Baronesa (a past Miss Catalonia) for a knock down price of something like £50 quid!
The baronesa is well known for having very definite ideas about how the art given to the Spanish should be treated and she is very touchy about the details of its presentation.
I am not sure what will go to the monastery if she decides to stick to her stated aim to remove her collection from MNAC but any reduction in their excellent collection would be a disaster.
Many of the paintings illustrated in the series of books that I now have on Catalan art have been taken from private collections, but there also a number of galleries mentioned in other parts of Catalonia that I am looking forward to visiting. At the moment I do not know the relative importance of the collections held in these other places but I do know that it is impossible to omit a visit to the gallery in the Monastery of Montserrat. I think that I know a little more about the exhaustive selection of painters that is held in the collection now than I did on my previous visit.
I look forward to another pilgrimage!
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