
I am trying, without success, to wean myself from my dedication to my e-book reader.
I am now fully addicted to obscure out of copyright pot boilers by otherwise famous writers. My predilection for P G Wodehouse writing now takes in stuff that he wrote which is only one step above The Famous Five. I am reading writing from the first decade of the twentieth century which has odd racist allusions which shock by their very casualness. I am beginning to read everything (including modern writing) which now appears to me to be merely a variety of Boys’ Own Paper writing!
I am reading L R Stevenson’s ‘Travels with a Donkey’ which I first read donkey’s years ago and only remember his description of hitting the donkey across the face with a stick out of sheer frustration with the animal’s disinclination to move. This time round there are references to language, culture, description and history which I am sure I simply ignored the last time which I am able to appreciate now.
Stevenson appears to be an odd traveller both prepared for what he is likely to find and also something of an innocent in his peregrinations. He is as comfortable in lyrical passages in praise of nature as he is in low comedy in his battles with Modestine - the donkey. He dwells on the fate of the Protestants and Roman Catholics in Pont de Montvert in the early eighteenth century and draws lessons from that bloody confrontation, “the persecution on the one hand, the febrile enthusiasm on the other are almost equally difficult to understand in these quiet modern days.” Those “quiet modern days” were in 1879 - the year of Rorke’s Drift and the Zulu Wars, so obviously a different sort of “quiet” from the one I understand!
Stevenson talks about having a “sleeping-sack” (sleeping bag) “constructed” a “child of my invention” which looked like “a sort of long roll or sausage, green waterproof cart-cloth without and blue sheep’s fur within” – is this one of the first descriptions of a sleeping bag to be used by ‘serious’ travellers who go hiking in little explored territory for fun? 'Travels with a Donkey' has been described as one of the first accounts of someone going on a hiking holiday for fun. For me the words ‘hiking’ and ‘fun’ do not go together naturally, but in reading Stevenson’s account I am able to link the words from the comfort of my sofa at the cost of someone else’s discomfort!
Talking of discomfort today has been one of my periodic days of vague illness. I still seem to preserve the habits of school and limit these days to the weekend when I can ‘take to my bed’ with a clear conscience and sleep off any discomfort. It took till 4 pm but I then arose (fully refreshed) and gratefully ate the bocadillo prepared for me.
At least I’m not hiking!
I am now fully addicted to obscure out of copyright pot boilers by otherwise famous writers. My predilection for P G Wodehouse writing now takes in stuff that he wrote which is only one step above The Famous Five. I am reading writing from the first decade of the twentieth century which has odd racist allusions which shock by their very casualness. I am beginning to read everything (including modern writing) which now appears to me to be merely a variety of Boys’ Own Paper writing!
I am reading L R Stevenson’s ‘Travels with a Donkey’ which I first read donkey’s years ago and only remember his description of hitting the donkey across the face with a stick out of sheer frustration with the animal’s disinclination to move. This time round there are references to language, culture, description and history which I am sure I simply ignored the last time which I am able to appreciate now.
Stevenson appears to be an odd traveller both prepared for what he is likely to find and also something of an innocent in his peregrinations. He is as comfortable in lyrical passages in praise of nature as he is in low comedy in his battles with Modestine - the donkey. He dwells on the fate of the Protestants and Roman Catholics in Pont de Montvert in the early eighteenth century and draws lessons from that bloody confrontation, “the persecution on the one hand, the febrile enthusiasm on the other are almost equally difficult to understand in these quiet modern days.” Those “quiet modern days” were in 1879 - the year of Rorke’s Drift and the Zulu Wars, so obviously a different sort of “quiet” from the one I understand!
Stevenson talks about having a “sleeping-sack” (sleeping bag) “constructed” a “child of my invention” which looked like “a sort of long roll or sausage, green waterproof cart-cloth without and blue sheep’s fur within” – is this one of the first descriptions of a sleeping bag to be used by ‘serious’ travellers who go hiking in little explored territory for fun? 'Travels with a Donkey' has been described as one of the first accounts of someone going on a hiking holiday for fun. For me the words ‘hiking’ and ‘fun’ do not go together naturally, but in reading Stevenson’s account I am able to link the words from the comfort of my sofa at the cost of someone else’s discomfort!
Talking of discomfort today has been one of my periodic days of vague illness. I still seem to preserve the habits of school and limit these days to the weekend when I can ‘take to my bed’ with a clear conscience and sleep off any discomfort. It took till 4 pm but I then arose (fully refreshed) and gratefully ate the bocadillo prepared for me.
At least I’m not hiking!





Ireland by fur covered bagpipes; Romania by a kitsch looking Dracula fairground attraction; Spain by a lump of concrete and Britain – well, Britain isn’t there. This is supposed to be a visual representation of the scepticism about membership of the EU for which we are notorious! The description of the artistic motivation for the lack of anything in the installation representing Britain could be reprinted verbatim in Pseuds’ Corner in Private Eye. I might add that the element representing the Czech nation consists of an LED strip relaying quotations from the speeches of their disturbed leader!
the endlessly circulating cars of Germany; the group of priests mimicking the Iwo Jima flag raising but with the Rainbow flag of the Gay movement for Poland – it goes on and on and you can imagine national representatives howling with rage!

for providing (within a week) the documentation necessary for my teaching qualifications to be recognized by the Spanish Government. I am particularly impressed with Swansea for producing an Academic Transcript of my degree. It is impressive to think that my precise marks from my degree papers are still somewhere in the system thirty-five years after gaining the qualification!




I first saw this on the way to Tossa de Mar on my first foreign holiday when I was seven. The nearest I have got to it since then was on a tourist bus trip with the Pauls when the vehicle drove slowly past it. I prefer to view it as a distant landmark, an iconic silhouette against the bright sky of Barcelona rather than as a building which repaid close inspection. However, it will be an experience to see what the detail of this remarkable building is like.
and if that fails to knock his equilibrium then there is the naked threat of my incomprehensible rendition of a beachscene for him to ‘appreciate.’ Dianne and I will revert to type and go in search of a cake shop and giggle our way through some sort of cream infused sugary confection. A sugar rush will always compensate for any negativity about creativity!


I well remember reading ‘The Haunting of Toby Jug’ in bed at night when fairly young, resting the book on the pillow and eventually reading with the focussed attention of the very scared and not wanting to stop reading because that would mean turning round to put the lights out. And who knew what might be lurking there!





It is unashamedly modular and has all the elegance of architectural form which comes from some sort of automatic computer program which takes certain ‘hoteloid’ elements and simply stacks them together on a given site. Nothing looks permanent and all the fittings and furnishings, the doors, the stairs and windows all look as though they were selected by a mouse click and then simply slotted into place.
as this opera is part of my season in the Liceu this year. The other operas in the set include ‘Edgar’ and ‘La Rondine’ and ‘Le Villi’ as far as I know my playing of them will be the first time I have ever heard them. Indeed heard of them, might be nearer the truth!
next to the Wales Millennium Centre with the BBC National Orchestra of Wales & Chorus on the 22nd and 23rd of January. The Hoddinott Hall will now become the base for BBC NOW and presumably St David’s Hall will now become even more marginal in its financing as the regular support of BBC NOW is redirected to The Bay. Though looking aqt picutres of the Hall it doesnt seem to have the same seating numbers as St Davids Hall. More investigation is called for. I wonder if parking has been improved!


and a 400 page book, ‘Photoshop Elements 7 for Dummies’ to go with it.