It is one of the great instincts in modern people that they know when someone is going to be trouble. Not, of course in a ‘private life’ sense – people seem to make a habit of latching on to those who are woefully unsuitable, just look at the divorce numbers. No, not in terms of life partners, nothing so trivial. I am talking about those troublesome people who ALWAYS get ahead of you in a queue.
Yesterday I
had to go to my bank to replace the little device which lurks behind the rear
view mirror and which gives me instant electronic passage through the pay
stations on motorways. I parked the car
in a space (something worth writing about because these spaces are at a premium
for most of the year and are only available to casual parkers in the off-season)
and started across the road to the bank when, to my horror, I noticed a woman
walking with intent and clutching a sheet of paper in her hand and making for
the same door.
Spain is
one of those post-dictatorship countries which, in their democratic
version have kept the unholy regard for bureaucracy which is such a shaming mark of the totalitarian, making copies of
everything in quintuplicate, stapling them together and stamping the
photocopies with official looking marks, demanding other documents to support
the documents to support the documents and . . . well, you get the idea. And all of this takes time.
She got
there first. Short of running and
barging, there was no way that I was going to be able stake a previous claim. Inside the bank there were two tellers and a
gratifyingly small number of people waiting.
The person being seen to was a hapless woman wandering around with a
card and bewailing the fact that the machine had not given her any money. The Woman with the Paper gleefully claimed
the other teller and that appeared to be it.
She positioned herself, slumped confidently on the counter and seemed to
have settled in for the duration. The
Card Woman left to try the machine again, whereupon the teller who had been
dealing with her promptly disappeared into another room. People arrived asking as is our wont,
‘Ultimo?’ so that they could settle down and do what we all do worst in these
situations, wait. More people arrived.
The Card
Woman reappeared looking lost and waving her card is a pathetic manner. The other (remaining) teller then left the
Slumped Woman and went outside to deal with the Card Woman. More people arrived.
The teller
reappeared and opened up the back of the hole in the wall machine and returned
to the Slumped Woman and promptly started talking on the phone. More people arrived. At least I had a seat.
The other
teller reappeared and both tellers then tried to get the printer to work
properly. More people arrived. My patience had, by this time, become as thin
as beaten gold – and let me tell you that can be mere microns thick!
Eventually,
amazingly, the second teller decided that the press of people in the bank
needed something to be done before we re-enacted the horror of The Black Hole
of Calcutta. I leapt to my feet as soon
as she looked vaguely ready and my business was transacted in bloody seconds. Truly amazingly she did not ask for
documentation as we swapped devices. And
then I was done. The Slumped Woman was
still there. I left.
Lunch was with two members of the Poetry Group one of whom
has agreed to do some drawings to accompany the ‘Autumn Trees’ poem sequence in
‘Flesh Can Be Bright’ (publication October 2015) while I am more than grateful
that Caroline has decided to do the drawings I am acutely conscious that I have
given her awesome power until they are produced! I trust her not to abuse it! We had an excellent lunch and then went for a
swing. And I got high enough on the swing
to get to the ‘bumps’ – ah memories!
The poem on frustration is not getting any nearer to
completion, which I know is quite ironically poetic, but I am not finding the
feeling is feeding into the production of something coherent and in lines. But it will come. Probably.
If it does you will be able to read the draft at smrnewpoems.blogspot.com.es together with my other recent
drafts. ‘Flesh Can Be Bright’ is where
the final version of the poems will be and it will be instructive, I think, to
see the differences between the drafts there and in the finished book.
But before then, there is the question of the next TMA which
Must Be Done. Soon.