A bright and sunny day though it has to be
admitted that the sky is also overladen with pesky clouds too – but it is a day
of no school so one should not be overly depressed by the potential
overwhelming of the sun.
I should, I suppose, take back some of my
anger expressed towards the saintly delivery company MRW yesterday. Today, bright and early a cheery man drove up
and actually delivered two items that I had purchased from Amazon and even as I
type I am loading up one of the deliveries to iTunes.
All the major recording companies seem to
be trying to wring the last few drops of money out of their old recordings so
there are box sets at amazing prices to be had by those who read Amazon
listings for fun.
My latest acquisition is a 100-disc
compilation entitled “The Masters of Music” as this compendium cost me less
than forty quid one has to look for the catches in such a bargain. And they are not difficult to find. The disc that I am downloading at present is
the “Symphonic Concerto for Piano and Orchestra in B Minor” by Wilhelm
Furtwangler who is better known to me as one of the Great Masters of conducting
rather than composition. This will be
the first time that I have (consciously) heard any of his music. In this performance the orchestra is conducted
by the composer – in 1939! And even in its re-mastered form it sounds like
it!
And many of the discs are from the 40s and
50s, and their contents do not stretch the format – many of the discs contain
under 50 minutes of music. Though, to
take just one of the 100 recordings which is from the 50s and is under 50
minutes long: Glenn Gould with the Berliner Philharmoniker conducted by Herbert
von Karajan playing a Beethoven concerto – who can complain about that
combination, especially at that price! I
suppose that one can always justify having historic recordings in your
collection and certainly at under 50p a disc, especially as some of the
offerings are from much later times it would be churlish to be ungrateful.
The other box sets that I have bought (all
at bargain prices) from Philips, Decca, Mercury etc are startling in quality
and price. And although many of the
pieces of music are popular classics the performances are well worth having as
excellent extra versions in their own right.
Many of these discs I remember from my time
in university and later when they were the expensive full-price versions that I
couldn’t afford. I relied on the wealth
of cheap recordings that coincided with my adolescence to boost my collection,
labels like Allegro, Hallmark, Marble Arch, Heliodor, Saga and of course, Music
for Pleasure and Classics for Pleasure.
God bless them all! They formed
my musical taste – though often more by the quality of the cover art than
anything else more musically respectable!
My first Nielsen and Mahler records were
bought purely because I liked the pictures on the covers of the records: I had
never heard of either of the composers!
In the case of Mahler’s symphonies I would say that I have not
progressed very much beyond my initial liking of the 4th and later
adoration of the 1st. I have,
of course listened to all of them (including the 0th or 10th)
and heard most of them in concerts but Mahler is not to my taste whereas
Nielsen has become one of my favourite composers and certainly the one to whom
I listen most and I can, with certainty, trace my early knowledge of the
composer to a chance purchase of a Heliodor record in the years when the world
was young! I would also say with more
than reasonable confidence that my present collection of Nielsen recordings is
unmatched in Castelldefels; surely to god there cannot be two of us with the
same fixation!
Meanwhile, in the background, Furtwangler’s
concerto plays through the speakers of my new iMac and it becomes clearer why
this is the first time I have heard it.
However I will give it another chance, though the dead sound of this
recording with the orchestra seemingly playing at the end of a corridor does it
no favours! And it’s over an hour long! Though the second movement is growing on me!
All this typing is displacement activity,
as I should be checking that I have white shirts which are capable of being
worn in public – which means ironing, which in turn means misery. I have never managed to find that imaginary
point of enlightenment where ironing is anything other than a supremely
irritating chore. So I do very little of
it and only iron, as it were in self-defence when it is impossible to
avoid. Teaching, however is one of those
times when a wrinkled, curling collar is simply not acceptable. Damn it!
We are now getting close to lunch time, but
Toni is still far from well and has stayed in bed so we will have to cope at
home and not go out to one of our chosen eateries – ah well, what better way to
prepare for the harsh reality of teaching tomorrow!