The one good thing about my note making is that I am still
at it. Even when, like this morning, my official notebook was left at home, I still wrote something as I was
savouring my weak tea at the leisure centre.
The quality of the tea is lower because there is a new person behind the
counter and she has not been fully Rees-trained yet to produce the sort of brew
that can dissolve a spoon – or at least stain it convincingly. That will come in time.
Instead of
the notebook I used the back of two receipts and, although the notes are
sketchy, I think that there is something that I can use, especially the
sub-Dylan Thomas scrawl of “the strength of a little cough” – I think that has
legs, so to speak.
This
comment, if it even merits that appellation, was all a result of a mistimed
swallow. You know the sort of thing,
when someone says after a bout of coughing that something ‘went down the wrong
way’. Well, this was a sort of half
swallow and I gave a sort of subdued cough.
And felt the effects of that discomfort for hours. I am now used to sneezing under water, indeed
I am really rather good at it – though I have sometimes thought about what might happen
if I follow through after the sneeze and take a deep breath of water. This has never happened and I always consider
an underwater sneeze is positively therapeutic in ways that I do not fully understand.
It didn’t
stop with the sneezing however. My eyes
started stinging. Nothing to do with the
quality of the water, which is catalytically salted or something like that, and
not, surely in early February some form of pollen? Over recent years I have become a little more
sensitive to spawning trees and plants, but surely not this early in the year!
The eye stinging has lasted into the evening but I am determined that my eyes will be fully operational for the double length offering of ‘The Strain’ which starts at ten thirty this evening. This is directed by del Toro and presumably is another one of his ‘for money’ enterprises that eventually will fund another ‘Faun’s Labyrinth’ for art. I have to say I rather like his trashy films as well. And we are looking forward to some honest to goodness hokum this evening!
The eye stinging has lasted into the evening but I am determined that my eyes will be fully operational for the double length offering of ‘The Strain’ which starts at ten thirty this evening. This is directed by del Toro and presumably is another one of his ‘for money’ enterprises that eventually will fund another ‘Faun’s Labyrinth’ for art. I have to say I rather like his trashy films as well. And we are looking forward to some honest to goodness hokum this evening!
Tomorrow to Barcelona for the next meeting of my Poetry
Group. This has become an important part
of my literary life and my going there usually stimulates me to work on what
the writing focus for the evening has been and to work it into something that can go into ‘Flesh Can Be Bright’ when it is published at the end of the
summer ready for The Meal in October.
My bits of
the book are almost done. The cover is
designed; the rough format is determined; typefaces and layout settled; indexes
in the course of completion and the introduction waiting to be written – but,
to be fair that can only be done when everything else is completed.
The other aspects of the book are well outside my frantic fingers. The translations are out there waiting to be completed, though the Catalan translation is in safe hands and I hope to hear that the Spanish translation has been accepted by the person I asked; the drawings are still in my head; one set I can relax about, the others are far more problematical. I still have to pick my time to ask about one set, and the last set . . . well, if the worst comes to the worst I will simply have to doctor photos of mine in an artistic and pretentious sort of way! Though I obviously hope that it doesn’t come to that. I have ideas of whom I can ask. I think.
The other aspects of the book are well outside my frantic fingers. The translations are out there waiting to be completed, though the Catalan translation is in safe hands and I hope to hear that the Spanish translation has been accepted by the person I asked; the drawings are still in my head; one set I can relax about, the others are far more problematical. I still have to pick my time to ask about one set, and the last set . . . well, if the worst comes to the worst I will simply have to doctor photos of mine in an artistic and pretentious sort of way! Though I obviously hope that it doesn’t come to that. I have ideas of whom I can ask. I think.
Anyway it’s
early February and I have set the end of May for all the stuff to be in and to
be ready for me to set up. That gives me
four months to deal with the inevitable problems that will make spacious
amounts of time as nothing! But that is
part of the fun of self-publishing anyway!
Lunch was designed to take Toni’s mind off the fact that not
only have his books not arrived, but also there has been no response to emails
which he has fired off asking where the bloody hell they are. Or Spanish words to that effect.
We ate in
what we call the ‘Bucket Place’. This
unflattering name is given to a café which is conveniently situated next to a
large car park almost in the centre of town.
You have to understand that virtually everywhere where you can park
demands payment – except for the lunch hours.
We were therefore able to park opposite the café and then have our
usual.
The USP of
this place is that you can order an ice filled bucket of five small bottles of
beer and a substantial tapa for €7. We
splashed out and had another tapa of spiced pieces of meat with tomato bread,
more bread and coffee with ice all for the cost of €12! A full meal, delicious, for two and, as Toni only had
a single bottle of beer, more than satisfactory!
And there was an email on our return telling Toni that his
books would probably be with him by the end of the week. I will not be holding my breath, in spite of
the fact that these books only have to travel about 20 km.
If and when
they do arrive then it will be all systems go to find a fortnight’s holiday in
Grand Canaria. Wherever we go there has
to be Wi-Fi, as we will both be doing our courses. Toni with his new books!
My own
course has an odd sort of momentum to it.
Some parts simply swim along while others are gloopily theoretical. I think that most of the artists that we are
studying would be amazed if they knew (or indeed if they could understand) the
pretentious nonsense written about what they might think that they were
doing. I suppose that is a little unfair
because I have gained immense insights into the development of twentieth
century art during this course and the more I read the more little bits seem to
be fitting into place. Strange that,
isn’t it!
The next
TMA will be a real test as it calls for textual analysis as well as a
theoretical overview. It will stretch my
ability and capabilities to do it well but I do think that I see a way through.
The End Of
Module Assessment (EMA) is the extended essay or thesis part of the course and
this is the part for which I have selected two artists David Hockney (easy) and
Alvaro Guevara (difficult) to compare and contrast. The ease and complexity is not about their
art but simple accessibility.
Reproductions of Hockney’s work abound and I can find any number of
critics and art historians to use in my analysis. Guevara is very different. Although well known at one time, that time
was almost 100 years ago and, as the end of his life was nothing like as
successful as his early promise, um, promised, his work has sunk, almost
without trace.
There are
very few examples of Guevara’s work in public galleries. He may have been Chilean, but he had his real
training and fame in England and more specifically in London on the fringes of
and sometimes in the thick of the Bloomsbury Group. There are paintings of his in the Tate, but I
am not sure that they are on display. I
can get to see them in the storerooms of the Tate, but that needs an official
application and at least six weeks notice.
I am trying
to track one particular painting of his from his series of paintings of
swimmers and swimming pools called, ‘Little Splash’. I know this exists and it was on exhibition
in 1974 in London but as yet I have not discovered where it has gone or who
owns it, or even if it still exists!
My last
contact was with the daughter in Norfolk of a man who dealt with Guevara’s
estate and who was/is the owner of an art gallery.
This lead might result in my seeing a black and white reproduction of
the painting ‘Little Splash’ or perhaps information about its present
location. Sometimes with the sort of
research that I am doing the academic journey is the real satisfaction – which
will have to compensate for not actually finding out anything of use!
The
great-grand-nephew of the artist, now doing a PhD in Leeds is keen to keep me
up to date with a project that he is working on concerning his relative and has
even offered to work in my research in some way to the exhibition on Guevara
that he is planning! A
nice (in the appropriate sense of the word) linkage I think.
My file is
growing and I can say with a certain degree of confidence that it is likely
that I am the foremost expert on Alvaro Guevara (1894-1951) in the whole of
Castelldefels! An expert, I might add,
who has yet to see a single artistic work of the artist in the flesh! My claim of paramount knowledge is unlikely
to be disputed – though I would be delighted to find out that there is someone out there with a wealth of information that I would willingly plunder!
The one
bastion of knowledge that I have not yet breached is the Rothschild
Collection. I don’t really know where to
start. But it will be fun trying!