
It’s all very well talking about ‘adopted country’ and all that, but there is no disguising the tragedy.
Spain has a gold medal and we have none. Nothing. Of any sort or colour. Nothing.
Far be it from me to be ungracious, but it is difficult to live with what I can only describe as triumphalism as our lack of metal ware becomes ever more glaring as other obscure countries begin to rack up their haul and I am constantly asked how many medals our team has managed to win.
Spain has a gold medal and we have none. Nothing. Of any sort or colour. Nothing.
Far be it from me to be ungracious, but it is difficult to live with what I can only describe as triumphalism as our lack of metal ware becomes ever more glaring as other obscure countries begin to rack up their haul and I am constantly asked how many medals our team has managed to win.

The only swimming events that I watched Britain came in fourth and that was in a qualifying event. It all seemed sadly familiar. But perhaps I am merely indulging what is a national malaise which is the expectation of failure. I am beginning to think that the newspaper report that I read outlining the expectation of our greatest medal gains must have been a product of my over heated imagination.

I am missing the BBC, and of course, the British slant that national coverage gives. Here is Spain there is little coverage of British efforts in the Olympics apart from the small Union Flags that indicate that a competitor in one of the swimming lanes is British! There are also the adverts.
Spanish television ignores the international judgement against their constantly flouting the twelve minute limit for adverts in any one hour period. Some advert breaks are twenty minutes long! It cuts down on comment and indiscriminately cuts out important slices of live television action.
I suppose I shouldn’t give the wrong idea: unlike Aunt Bet I am not going to be glued to the television for the next fortnight indiscriminately devouring whatever sport the BBC deigns to present.
If the sun is shining I have to admit that the beach presents a more attractive option to watching the Newtonian Physics denying activities of gymnasts and athletes who are obviously practitioners of the dark arts, in league with the devil and not fully human in any way that I understand given the way that they can use their bodies.
We have just watched an American gymnast on the pommel horse doing things which should have broken his wrists, legs and knees. I remember my father watching the gymnastics on television and saying that the competitors would have been burned at the stake in his day as little better than witches!
At least Spanish television has driven me to the internet and searching out The Guardian. There I read a comment from Marina Hyde in Beijing who wrote, "These two appalling sets of old waxworks utterly deserve each other. China's state bullies and the International Olympic Committee have a lot in common. The Narcissus complex, for a start." That's the sort of stuff to keep me going! It's the necessary irony and contempt to bring me back to a right frame of mind to contemplate the Olympics with truly British tranquillity or contempt. Irony and abuse abound on The Guardian site and it makes me feel at home once more! I only hope that their sardonic point of view can sustain me through a fortnight without the comforting clink of the sound of gold falling into British hands!
The true obscenity of the opening ceremony is becoming clearer. The cost of the extravaganza was something like twenty five million pounds and took some seven years to plan. I assume that the astronomical cost does not include the cost of the planning and the costs which I am sure were lost in the administration of the abomination which is the government of China. I wonder how much the participants in the opening were paid or were they ‘volunteers’? Who suggested Sarah Brightman? And why?
But all this carping is just an expression of the very real fear that I have about the ‘eight minute segment’ of the closing ceremony which will see the Olympic flag handed over to the Blond Buffoon. This will be an indication of the design ideas that London has for their own opening ceremony. I understand a London Bus is involved. I have visions of this vehicle turning up, the BB getting off dressed as a London clippie, taking the flag, waving to the crowd and getting back on the bus and driving off.
I know that I will be proved wrong and the design flair and quirkiness which characterizes Britain will delight and astonish me.
Just like our medal total.
Sigh!
At least Spanish television has driven me to the internet and searching out The Guardian. There I read a comment from Marina Hyde in Beijing who wrote, "These two appalling sets of old waxworks utterly deserve each other. China's state bullies and the International Olympic Committee have a lot in common. The Narcissus complex, for a start." That's the sort of stuff to keep me going! It's the necessary irony and contempt to bring me back to a right frame of mind to contemplate the Olympics with truly British tranquillity or contempt. Irony and abuse abound on The Guardian site and it makes me feel at home once more! I only hope that their sardonic point of view can sustain me through a fortnight without the comforting clink of the sound of gold falling into British hands!
The true obscenity of the opening ceremony is becoming clearer. The cost of the extravaganza was something like twenty five million pounds and took some seven years to plan. I assume that the astronomical cost does not include the cost of the planning and the costs which I am sure were lost in the administration of the abomination which is the government of China. I wonder how much the participants in the opening were paid or were they ‘volunteers’? Who suggested Sarah Brightman? And why?
But all this carping is just an expression of the very real fear that I have about the ‘eight minute segment’ of the closing ceremony which will see the Olympic flag handed over to the Blond Buffoon. This will be an indication of the design ideas that London has for their own opening ceremony. I understand a London Bus is involved. I have visions of this vehicle turning up, the BB getting off dressed as a London clippie, taking the flag, waving to the crowd and getting back on the bus and driving off.
I know that I will be proved wrong and the design flair and quirkiness which characterizes Britain will delight and astonish me.
Just like our medal total.
Sigh!

I do like a flaming flame, something which represents the passion of the event, not the sedate, tasteful lapping flames that we have had in past Olympics.
the light suits;
the Olympic flame.
Just as the opening sequence and other throughout reminded me of those repellent Spartakiáda, or mass gymnastic displays
For me the subordination of the individual to the whole, the degredation of the single human to a mere piece of a jigsaw puzzle to make a moving pattern
is the antithesis of what I believe is an acceptable image for a nation. And certainly for the Olympic Games.


Now in many ways (or more probably all ways) I am dreading this event. It is very difficult to see any positive aspects to the occasion. It is going to be full of small, hyperactive, selfish, screaming, developing human beings; the predominant language is not going to be English; too many of the drinks are going to be fizzy sugar based rather than fizzy grape based; The Chosen One is going to have more presents and at far greater cost than I had when I was three.


on it? Where was my mini backpack with ‘Captain Pugwash’ emblazoned on the back?
When didn’t my parents allow me to watch DVDs in the car on my personal player?
was a composer and guitarist who is described as one of the most important composers and musicians in the formation of Catalan culture in terms of music. I have never heard of him- though I am attempting to force my memory into a belief that I have heard of a French composer with a name something like that. But then I would, wouldn’t I!








The set, a series of angled posts with a cluster of lights at the top and the thrusting in of a long bar suggested a modern setting and the dissolute action of the characters suggested the drunken culture of the pleasure seekers Mediterranean resort!






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I can’t say that the pot and cup ‘go’ together in quite the harmonious way in which I would have liked (and of which my mother would have approved) but it makes a refreshing change from the rather camp glass teapot which I affect from time to time.