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Tuesday, June 03, 2008

It can only get better!

An ‘Open Morning’ means that parents – usually kept safely outside the school gates – are allowed, nay, encouraged to break the boundaries of common decency and parade themselves around the classroom while consorting with their offspring in full view of the teacher! Appalling but true!

So the parents came in and fussed over the books of their kids and sometimes managed to penetrate the cordon of pupils around me and engage me in conversation. The dialogue was entirely predictable, but a necessary part of the relationship between parent and teacher. Or PR as we generally know it.

Given what your school does and doesn’t do, whenever I speak to parents there is a whole script which I never use and I think that some of the parents sense that there are more important things to do about our institution than indulge in fairly meaningless banter about the relative niceness of their kids.

The hour that the parents were there was a fairly painless, anodyne experience – though it did take place during a free period of mine!

The next exciting episode in my day was a meeting with The Owner. This took the now familiar form of a partial monologue on her part of blustering reasonableness which ignored implications and facts and resolved itself into a series of exasperated ‘explanations’ which were anything but. Clarification will have to wait until Friday when we will have a response to our questions which we are going to formulate tomorrow.

At the end of the meeting I went to a colleague and reported back, only to be interrupted by The Owner herself (paranoid as ever) who testily informed me that conversations with individuals in doorways was not acceptable! Ah me!

I then returned to my sewing.

I know, I know. Primary teaching means never being settled in a subject. My class and I have been making money containers and this has involved a certain amount of needlework – taught by my good self. Our end results defy categorization. And that is a good place to end my account!

The fun and intrigue were not, however, over.

While waiting at the gate for the kids to be shunted off to their parents, a Dutch mother approached me and in a transparently suspicious manner asked if she could have a meeting between a handful of teachers and parents ‘without The Owner’ so that she could find out ‘the other side.’ While professional reserved dictates that such a meeting must be impossible, simple justice would seem to demand that something should be done. I think that most of the staff (with a few signal exceptions) would welcome an opportunity to say what they really think about the place.

I prevaricated with the parents and said that I would think about what she had said and contact her later. I know what I want to do, but discretion and practicality dictates a certain amount of caution.

The last time that the parents tried to form an association in the school The Owner asked all the ‘guilty’ parents to take their children out of the school! Unbelievable, but true!

From this tempting conversation I did the only sensible thing possible and drove to Gava to buy a false beard and witches’ hat.

This is not an example of disturbing displacement activity, but rather an active attempt to create my costume for the Readathon tomorrow.

Finding my degree gown was an epic story of moving everything in the flat and feeling more and more frustrated as it refused to turn up. You have probably guessed the figure from ‘literature’ that I had decided to personate.

Not only did I find my Cardinal’s outfit and a realization of how svelte my university body had been, but I also found my Herod outfit still a blazing gleam of gold lame and a welcome realization that it still fitted!

A full day of delight. Who knows what the morrow will bring?

I suppose I should just wave my wand and find out!

If only.

Monday, June 02, 2008

Dark morning, afternoon and early evening of the soul!


Today has not been good.

It started badly and got steadily worse until it climaxed in one of the worst meetings I have attended. And then, just to finish me off a final piquant touch of depression. It wasn’t a good day.

A message from our headteacher in exile (luxuriating at home nursing her broken bones) was written on our staff white board notice board. It informed us that she had problems with her email, but she was much better and if anyone wanted to contact her then the telephone number etc etc.

Within minutes this notice had disappeared by order of The Owner who decreed that she and her sidekick were to be the only messengers to our staff room. Furthermore it was decreed that were we to contact the headteacher then no talk of school should be part of our conversation as she was officially ill!

It’s pathetic really, the absurd assumption that any of us would take the slightest notice of a ridiculous prohibition on our private life. It is further proof (if any were needed) of the paranoia which characterises the administration of our school.

I had barely tempered my disgust at this blatant piece of professional discourtesy when we were plunged into an unexpected rehearsal for the forthcoming summer concert. A rehearsal schedule had been produced but not circulated to the people who were supposed to use it. No comment.

Tomorrow is, unexpectedly, an Open Morning for parents and Wednesday is a Readathon Day – these two events are linked by the lack of preparation which is a little disconcerting when you are in the front line! The kids and parents have little to no idea of what is concerned in the latter and we have two days in which to make it work.

In such a day of untrammelled delight it was, of course, impossible that my maths class would not have an opportunity to add their inimitable quota of delight to my Day of Dolour. And they did.

The meeting after school was preceded by a presentation to a teacher in Primary who is getting married on Thursday. The Unit Manager for Primary being absent someone else had to do the honours for the presentation. As I had collected the money; bought the present; set out the nibbles and the Cava and persuaded Margaret to make the astonishingly impressive card. I spoke.

I wasted a few minutes in trying to work out just how long it was that I had done this little duty last. I suppose it was a ridiculous fancy that I could go for the major part of a year in a school without making some sort of speech!

The Cava consumed and the chocolate biscuits ravaged we Princes of Primary advanced, refreshed, to our meeting.

To say that it was a disaster is to underestimate the awfulness of complete frustration in the face of educational idiocy. The Chair of the meeting was little more than a glorified messenger and knew virtually nothing of the detail of the things that she was supposed to be relating.

The feeling of the meeting steadily worsened with each new admission of ignorance. The meeting broke up late and in bad humour, with little of moment having been decided.

But there was more!

Three of us were asked to stay behind to discover that our lesson observation and assessment was null and void because the person who observed us was not the person The Owner had asked to evaluate us. Now the person who had observed my lesson had done as professional a job as one could hope for – a welcome exercise in normality and professional competence. To be told that the new Unit Manager of primary (yet to arrive) would repeat the exercise was not, as it were, satisfactory.

The strength of feeling soured what had been a fairly rancid meeting experience.

Alone in my class later sitting thinking about what had happened so far in the evening I was approached by two cleaners who tentatively handed me a letter that we had all had put in our pigeon holes informing us that our pay had not been paid into the bank because of some unexplained electronic malfunction.

The fact that this delay of the May pay was greeted with a total lack of surprise by the hardened teachers says much for the way our school is administered.

I must admit that I found a certain fluency in Spanish in explaining by total disgust at the behaviour of the administration and I screwed up the offending letter and threw it across the class room. This was greeted with quiet contentment by the cleaners who informed me that this happened each year.

One begins to despair!

Sunday, June 01, 2008

A long night's night!



Sometime the world of the badly drawn comic seems much closer to the real world than is comfortable in an ordered existence.

Yesterday, when already weakened from the musical onslaught of the first two acts of Die Walküre, my resolve to stay to the end was almost destroyed when the eponymous ladies walked, no, marched? invaded? conquered? sequestered? the stage.

One of them, who appeared to have been made of metal, glided on to the stage with a frightening gracelessness and to my horrified eyes appeared to have breasts on both sides of her body – front and back! Her hair was plastered down on top in a stern parting which then found its escape in a frizzled explosion of hair above her ears. Her sisters, in a variety of luridly coloured dresses were equally intimidating and when they rose from their chairs in this concert performance in the Gran Teatre del Liceu and advanced threateningly towards the audience to ‘Hojotoho!’ and ‘Heiaha!’ at us there was an appreciable shrinking back of the audience in their seats!

But the evening for me changed its course when I bought a programme, flicked it open to the cast list and discovered that the role of Seigmund was going to be sung by Plácido Domingo! Presumably that was the reason, back in July of last year that I was prepared to pay over €130 for a ticket for a concert performance of an opera I didn’t really know. Still it came as a little surprise.

As the Greatest Tenor of All Time (BBC Music Magazine April 2008) you are entitled to expect a lot. Born in 1941 (or earlier as some say) he is over retirement age but the voice that I heard last night was confident, rich and expressive. The role of Seigmund is one which could rip a voice to pieces, and at the top and bottom of his range there were signs of strain, but the performance was assured and from his first notes there was an authority in his presentation that was instantly beguiling.

Hunding (René Pape) and Wotan (Alan Held) were worthy protagonists on stage, but the singers in many of the other roles were less impressive.

I found Sieglinde (Waltraud Meier) unimpressive – though I have to admit that I was a placid oasis of restrained clapping for her performance amid a turbulent sea of hysterical shouts of approval when she came on to accept her plaudits and lethally aimed flowers! While some of her register was expressive and attractive she had a disturbingly throaty and nasal sound which was repulsive.

Brünnhilde (Evelyn Herlitzius) was physically unlike her sisters, had an attractive stage presence and created a dramatic partnership in her singing with Wotan – but again I found her voice unattractive and unsettling. Yet again I was a single restrained minority of one as the audience went wild at the end of her singing.

Fricka (Jane Henschel) gave a magisterial performance with a voice full of passion and hurt pride.

The orchestra under Sebastian Weigle was excellent though I have to say that some of the ensemble work was a little ragged, especially with some of the more prominent entries of the brass. I also found that ‘the famous bit’ or ‘Ride of the Valkires’ lacked the musical excitement that I have come to expect from this orchestra and I often found many of the tempi slow to the point of irritation, but in the relentless flow of music that is this opera I thought the orchestra did well.

The performance started at 8.00 pm and I got out of the theatre at 1.15 am! During one part of Act II I began to wish for easeful death as the only escape from what seemed like an interminable musical prison – but I bucked up and managed to see the ordeal through to the end!

I have to say that were Wagner himself to come back from the dead to conduct together with all the great singers from the past to take the roles in one of his operas – this is the last time that I go to see a concert performance of an opera.

For me the dramatic interpretation through direction, scenery, costumes and lighting of a great work is a major element, or perhaps the major element in my enjoyment of opera. Even the excitement of hearing live singing and a live orchestra playing do not compensate for the lack of the visual and intellectual stimulation of the complete experience. And it was expensive – even if Plácido was singing! And even if Plácido is iconic enough to have made a role in The Simpsons
it is still not enough.

Before the performance I ensured that I arrived in Barcelona in good time so that I could park the car and perhaps just happen to drift into a certain shop.

Who is of such paper thin resolve that his whole life can become unsettled by the mere glimpse of a picture of a reasonably priced mini laptop computer?

What sort of person can admit that his reserves of self control can be brushed away by the simple proximity of an electronic gadget? Who can be such a creature controlled by the base instincts of transistorised acquisition?

Alas, I can only echo the plaintive cry of the Infant Samuel and say, ‘Here am I lord!’

The Asus mini computer has been the seed of discontent sown in my mind and all has become as ashes as my untrammelled desire for a needful thing has overshadowed the more important things that I should be doing, like marking the hysterically guessed answers that my other worldly maths set has produced.

Talking of which: I have put of marking until the very last minute (or day) and this Sunday; this Sunday evening, is probably the time when everything will get done.


Please!

Thursday, May 29, 2008

A cynical moment?


Displacement activity is as mother’s milk to me.

Especially when there is marking to be done.

As far as I can tell the actual, physical placing of a mark on the sad sheets of paper on which my pupils have scribbled by way of completing their exams is but the first part of a mystical process in obtaining some sort of indication of their worth.

Far be it from simple addition as being the end result of their efforts. No, a mere mark is but the starting point in a process which makes the interpretation of the tarot as simple as reading a Janet and John book.

Vast charts which look like spreadsheets for a company the size of BP are necessary to find out the ‘level’ of a child who thinks that 146 is more than 160. I have no doubt that a final statement of a pupil’s academic standing will entail the counting of the number of teeth each pupil has and dividing the result by the square root of the number of pencils they have in their cases then adding their results and subtracting their date of birth times the number of degrees their capital ‘L’s deviate from the perpendicular.

There again, I might just be tired after completing the most specious pieces of ‘planning’ I have ever fabricated.

I should stop while I am still behind, as it were, and wait for the light of a new day to illuminate my writing.

Some hope.

At least it’s Friday tomorrow!

Wednesday, May 28, 2008

Time for reflection?


My English class show how examinations used to be.

All around me they are working quietly with only the soft slide of pencil on paper and the occasional exhaled breath of gentle exasperation as the words (sometimes in the third of the pupils’ store of languages) do not come exactly as they want.

It’s a strange universe that is created by the examination room.

All dimensions are different. Time becomes elastic – depending on whether you are an invigilator or an examinee. The other dimensions of length, breadth and height also lose their defined nature as you feel yourself lost in the vast emptiness of a desolate examination hall or claustrophobically oppressed by the tension filled individuals surrounding you.

The dynamic within an examination room also has its own rhythm. I can well remember the ripple of naked fear that rolled through the hall when I was sitting my European history A level. As the papers were distributed and opened candidates in front of me realised that previously distinct historical events which had, heretofore their own distinct questions had now, in a grotesque parody of what we had understood as adequate scholarship had been yoked by force together. A question linking The Italian Wars and the Wars in the Netherlands? Unfair! Unreasonable! Impossible! What saddo had revised both, when in previous years only one was necessary to pass?

The history teacher who read the paper with something akin to our own despair told the invigilators not to let us out until we had been in the hall for at least a respectable length of time.

One candidate within my sight cut up his blotting paper into a series of little squares and made them into a pack of cards with which he contentedly played patience for the rest of the exam. One can’t help wondering if some innocuous missive from the WJEC outlining the new format of questions within the examination had been ignored courtesy of the traditional inertia which characterised the attitude of my old school to anything in the way of innovation!

The science examination has come and gone. Very different from the English exam. I had to read all the questions and try and forestall all those questions which would be perfectly natural were British school children asked about the growth of plants in Spanish, for example. This steady flight away from normal examination etiquette is but preparation for the true horror that will be my maths set tomorrow.

I have tried to get rid of two of my most ‘challenging’ pupils one of whom is very definitely ‘special needs’ in a multiplicity of ways and directions while the other thinks that plastic is a rock. In a science examination this is what we educationalists call a ‘bad thing.’ They will have their own dedicated teacher who has a bloody sight more patience that I will ever possess, though even she has been known to lose it from time to time and berate her trying charges with exhilaratingly direct invective.

I will be left with the hard core of maths strivers who have spent the last two weeks trying to tell the time.

I have noticed in all the tests that I have invigilated that some of the pupils almost instinctively cross themselves and then kiss their hands before writing anything!


My maths class will need more than empty mystic gestures invoking the non existent power of an absent god to get them through. They will need a complete reversal of Newtonian physics; Einstein’s physics and the refutation of String Theory, Black Holes, Stephen Hawking and all his works before their take on currently accepted academic norms becomes anything less than, simply, wrong. Bless!


The countdown to June gathers pace and all hell threatens to break out with interesting deadlines due to bring an extra element of dislocation into a dysfunctional institution.

One shudders with barely concealed impatience for the worst to happen!

Things, as a long lost version of a political organization known as the Labour Party used to think, can only get better!

Tuesday, May 27, 2008

Tempus fugit!




Our bus stop has gone!

Toni went to catch the bus this morning and – nothing! The whole bus stop had gone: shelter, post, sign, people – everything.

And of course no notice, indication or clue about where you might be able to catch a bus, if you were so strangely inclined. He wondered if he should wander up or down the road in search of the peregrinating stop. He eventually opted to go in the direction of Sitges. And there it was. Newly erected: having sprung fully formed like thingamabob from the thigh of Zeus or the mythic Catalan equivalent.

The transport system in Catalonia (at least in our bit) is both wonderful and also god awful.

The total fiasco of the tunnel collapse for the high speed train (a national government project) which was being constructed in the vicinity of Hospitalet – a Barcelona suburb near Castelldefels resulted in the entire area grinding to a halt.

For months trains were unable to get nearer to Barcelona than Gava (the next stop on the line from Castelldefels into Barcelona) and the resultant traffic jams had to be seen to be believed! The political fall out was enormous and the howls of outrage from Catalonia could be heard all over Spain. It was, said all of Catalonia, yet another example of Madrid screwing the Catalans. A national disgrace.

National and local politicians vied with each other as to how much of the television schedules they could monopolise. The resentment rumbles on and the traffic system has not markedly improved.

Crap it might be; but cheap too! Transport into Barcelona (when it was finally re-established by train was free for months for those travelling to the previously affected areas!) And even when you have to pay the trip to Barcelona it costs one tenth of seven euros fifty. That is the cost of a T10 ticket which is valid for ten trips! British cities could learn a thing or two from this!

I am tempted to make a metaphor of the disappearing bus stop and say that it represents, in some ways, attitudes in Spain, or at least in Catalonia. Consumer satisfaction does not rate highly on the agendas of many of the businesses with which I have come into contact. A service or product is provided: buy it if you want to. If you don’t want to: no problem. And we are not that concerned if you don’t come again.

Perhaps it’s something to do with living in a tourist area with a large transient population of gullible pleasure seekers waiting to be fleeced.

That sounds more bitter than I meant it to. I like the people in this area; for the most part they seem reasonable and innocuous – just what a city boy like me wants. Small town chumminess is not what I am used to and I would find it cloying.

Meanwhile back in the asylum the last couple of days have been enlivened for me by a small task that I had been given by the head of the primary section of the school. One of our number is going to get married a week Thursday so I was asked to collect for him.

If I had a pound for each time that I have collected for people in the schools in which I have worked I would be able to retire in comfort at once. I have collected for colleagues in the English Department, colleagues in other departments, office staff, and ancillary workers. In one notable case I was asked by a sadistic chair of the staff room (a post which truck terror into my soul) to collect for the chief dinner lady.

You have to understand that her meals made the feast that Titus Andronicus made for Tamora (look it up) seem positively alluring.
Not only was her food uniformly disgusting she was also a fairly repulsive character: raucous, unhelpful and vindictive. The task of collecting having been given to me however, I collected assiduously though prefacing my requests for money with a fairly unflattering picture of the hag. I was amazed that people who had loathed her draconian culinary regime of inedible horror still gave me money! They all, bless them, dredged about in their memories and retrieved a small act of gastronomic palatability: an odd sandwich, a reasonable salad or glass of orange juice which might justify a small act of charity now that she was going!

At her leaving presentation, when she uncharacteristically simpered her way into the staff room to receive the results of my hard work, she gave a heart stopping little speech. In an unnaturally formal version of the ungrammatical patois she spoke, she thanked us all for our kindness and told us not to worry as she had spoken to the new head chef and “learned her everything I knows!” I hope she took our horrified silence for deep appreciation!

No such reservations about the present colectee and people have been (with a little gentle prompting) most generous. It is strange how comfortable the role of Collector has felt after an unnatural length of time since I have last Taken Round the Envelope.

For a small staff we have raised a respectable amount of money and Margaret has created a truly splendid card which everyone (to the best of my ability) has signed. Margaret could have a lucrative career as designer of extravagant hand made special occasion cards. Thinking about it, the one she has created is more spectacular than merely splendid! It will have to be photographed before it is given lightly to a mere groom!

Meanwhile revolution is lurking around the corner. Threats spoken and unspoken are hanging in the air depending on what The Owner decides to do as we run down (!) to the end of term. Our relative powerlessness in the face of autocratic monetary power is pathetic.

Perhaps we will change.

I hope so.

Monday, May 26, 2008



In the slightly eerie gloom of my blind shrouded room I am sitting at my desk, surrounded by empty desks as my class is taught music. I am gathering my strength for the intellectual onslaught which is my maths class.

The numerical universe populated by my hapless pupils is a different one from that one which is creatively and imperfectly understood by those able to read these lines with a modicum of fluency.

To be brutal, for my class a sum such as “three plus nine” is as powerful in its intellectual challenge as trying to solve Fermat’s Last Theorem and never having heard of Sir Andrew Wiles.


Getting the class to make an effort at telling the time has been as searing a teaching experience as I have ever endured. I have used every technique that I could think of and which the internet could offer; I have used animations and worksheets; I have been reasonable and demented; exuberant and suicidal.

We have gone through times when (at its best) understanding was almost in sight and I, like a frankly more healthily sceptical Moses, glimpsed what might have been the promised land of time telling on every corner. I have also endured times (at their worst) when what we teachers know as an ‘answering frenzy’ takes place.
To those less than au fait with the minutiae of high level education an ‘answering frenzy’ is when a pupils gives an absurdly wrong answer and the rest of the class is drawn into what amounts to a bidding competition which involves throwing ever more tangential numbers at the teacher in the belief that some mathematic god will prompt them to speak in tongues which will involve the correct answer.

This is the teaching equivalent of my shocking ascent of a staircase in new The National Theatre when, having unwittingly stored a vast reserve of static electricity by walking across a vast expanse of nylon carpet in the foyer, I foolishly touched the metal handrail while stepping on the first part of the staircase.

The electric spark my hand produced propelled me to the other side of the staircase where I instinctively grasped the opposite handrail which sparked at once and the pain propelled me to the other side when, having learned little in the previous millisecond I reached out and . . . . Well, you get the idea. I fell up stairs in a series of galvanic twitches which would have brought tears of joy to the eighteenth century experimenters with frogs’ legs.


Falling upwards into oblivion with my maths class, rather than the rather nice, but pricey restaurant that was my destination in the National.

My class has already had one practice test on mental maths where the idea is that a problem is read out and the pupils have five seconds to respond by writing down an answer. This created the equivalent of mental melt down with each question being greeted with squeaks of outraged amazement that anything so demanding could be asked of mere children.

Today we have a practice of the real maths test and I foresee innumerable problems with, well, everything. With some of my class the simple effort needed to obtain a sharp pencil takes up the whole of their intellectual reserves. To ask them to do computations as well is frankly ludicrous in their eyes.

Wish me luck! They are almost back and raring to go. God help!

The reality was much worse than my most dismal imaginings. The idea of sustaining a church-like calm in the classroom was almost as difficult as obtaining such quietude in a Roman Catholic place of worship. The Anglican attitude to things ecclesiastical is polite but disengaged respect and keeping the children quiet. This is not echoed by their Iberian counterparts where noisy participation and unchecked children shock the Anglican atheists!

So my maths class will have to be policed with a light touch as I do everything but tell them the answers on Thursday!

The latest threat lurking on the near horizon of our misery is the Summer Concert. This lurking horror is to take place during the lastish week of term. Or the last week in which children are in school. Or might be considered to be in school in a way. As you will know if you have been following the inexplicable mystery surrounding the precise date of the end of the term there are at least four or five separate ‘endings’ depending on your ‘contract’ and whether Saturn was in the ascendant with Venus on the cusp in the House of the Rising Sun at the hour of your birth.

We wait with something approaching hysterical nervous collapse the Presentation of the Final List. This is the (by all accounts) voluminous (and still growing) list of tasks which departing teachers are expected to complete before they leave our august establishment and (more importantly) before they qualify for their holiday pay.


Holiday pay is of course a vulgar misapprehension of how teachers are paid. Our salary (even the risible pittance paid in our place) is paid in 12 equal monthly payments. Holiday or teaching it’s all the same, it doesn’t matter; it’s the way our pay is divided up.

We are getting closer to crunch time with our employer. People seem inclined to wait until their May pay is in and then, if necessary start taking some sort of concerted action during June to ensure that we are at least treated with something approaching professionalism. A bit late, but there is more joy in the TUC over one complacent, quiescent worker who turns to the truth faith of Trade Unionism (even in its debased Catalan form) than in ninety and nine who continue to make a meal of employers’ less savoury bodily areas.

From past experience I will believe professional radicalism when I see it!

Ever the cynic.

Sunday, May 25, 2008

We Wuz Robbed! Again! Again!







This year I was determined not to lose my temper while watching the voting for the Eurovision Song Contest.

I failed.

And the day had started so well. Having been told that a post office note of an undelivered parcel was waiting for me in Terrassa, curiosity and hope drew me like a Conservative voter to an Old Etonian.

Talking of which (in spite of The Spectator’s protestations of his worth) what the hell are voters, especially Labour party voters doing! As the little funny one on The News Quiz commented in the last programme, “I can understand Labour voters deciding to protest by voting for the Lib Dems or the Greens, but voting Conservative? It’s like going into your hairdresser and saying ‘This week I think I will have something different; I’ll set my head on fire!’”

My parcel turned out to be from Aunt Bet and contained two books, two copies of The New Statesman and an encouraging card! I walked back to Toni’s Mum’s flat with a broad smile on my face and hours of reading material in my hands!

Returning to Castelldefels with Toni’s mum and sister we planned a trip into the centre of the town to show our support for our current most famous citizen.

The Spanish entry in the Eurovision Songs Contest was being ‘sung’ by a local boy (albeit born in Argentina.) The chosen song was selected after a strange process where singers submitted their entries primarily through the website MySpace! A televised national selection was held where the top songs chosen from MySpace were performed. This competition was won by Rodolfo Chikilicuatre with his song ‘Baila El Chiki Chiki.’ Rodolfo is not a singer; he is a comedian who does not plan to continue with his singing career after this one special occasion.

Since then the television stations have been flooded with videos of the high coifed glittering waistcoat wearing performer, eyes roguishly glinting behind his large glasses and agile fingers playing (or not) his toy guitar. A mere description could not possibly convey the calculated insult to the whole concept of the Eurovision Song Contest as it is presently constituted that this ‘song’ represents. Judge for yourselves at
http://www.eurovision.tv/event/artistdetail?song=23994&event=1469

When the Irish entry (‘sung’ by a turkey puppet with lyrics mocking all aspects of the competition) was eliminated Rodolfo was asked if he was relieved that his greatest non-human competitive threat had been removed. His statesman-like reply was that he did not gloat over the misfortunes of his colleagues! A real touch of ironic professionalism – though not bitter enough to get me through the evening without heart ache.

The central square of Castelldefels in front of the church was filled with people, many of whom were wearing Rodolfo masks. As we arrived, the link was made to the national television programme for the contest and the cheering, hand waving; mask wearing multitudes (us!) was relayed to Spain and to Rodolfo himself waiting in the Green Room before his performance.

After a deeply unsatisfying drink of sweet, cloying and fizzy pop masquerading as beer we returned to the flat to catch the rest of the show. Which we did.

And then the marking.

Now I am well aware that the Eurovision Song Contest is ‘only a bit of fun’ and to be annoyed at the xenophobic bigotry which is displayed each year is a grotesque overreaction.

So I am going to overreact.

The British song was a decent effort and was given a spirited performance and a good production. We came last.

The voting was as predictable as it was explicable in terms of economics, politics, history and society. But the fact that it can be explained does not justify public money from the BBC being squandered on this travesty of a competition which results in the ritual humiliation of Western Europe by countries like Israel and Russia – one of which is not in Europe and the other which is mostly outside Europe. However, geographical quibbles are not my theme.

Voting is not only the most contentious aspect of Eurovision but also, it has to be admitted, the most interesting and corrupt.

In years gone by there used to be a national jury composed of god knows who used to give the votes. Not fair or above board, but more satisfying than the present. In the strange system adopted today San Marino has the same voting power as Russia, no matter how many people actually vote in each country.

Eurovision has become a lucrative brand. Each vote by phone has a monetary value to the owners of the brand and there is a proliferating selection of merchandising to buy. Fairness comes a very poor also ran to commercial considerations and viewing figures.

My suggestion would be for a greater transparency to enter the competition that styles itself as one of the greatest (and most lucrative) such competitions in the world.

1 Who funds Eurovision?
2 Who funds the actual Song Contest?
3 Who sells the rights?
4 Who are the directors, the decision makers?
5 Who banks the telephone poll money?
6 Who has financial oversight?
7 Where are the polling figures published?

There are many more questions to ask about something which is much more than a few innocent hours of prime television time!

I have decided, in the best traditions of ‘Disgusted of Tunbridge Wells, retd.’ to write to the Director General or somebody and complain at this waste (or something) of taxpayers’ money.

Or perhaps this writing will suffice and I will bluster for a few days and only achieve full outrage again in the lead up to the next contest.

That’s life and Eurovision!

Saturday, May 24, 2008

What was that again?






I have read some of the western world’s greatest literature in English.

My reading from the Middle and Far East has been more restricted relying on philoreligious books like Lao Tsu’s jingly aphoristic brain teasers together with various books of fairy tales ranging from 1001 Nights to the Old Testament and The Koran.

The rest of the East, as long as you count Russia (Old Style) as part of Asia is solidly represented by the usual nineteenth century bricks masquerading as novels and so on.

Africa is rather woefully underrepresented in my library with a few volumes of Achebe and Soyinka, a couple of books of African Poetry and does Doris Lessing count as real African?

America, of course is much better represented with volumes from countries throughout the continent and Australasia is lumped in with the West.

From Conrad to Confucius; Dante to Defoe; Hegel to Heller and Belloc to Blyton I have read voraciously and indiscriminately. From delicious lows like the ‘Lucky Star’ novels that Isaac Asimov wrote shamelessly for easy money under a pseudonym to mind altering highs like ‘The Magic Mountain’ by Thomas Mann, I have gobbled up book after book.

So why can’t I remember them? I look at the covers of some books and I know that I have read them; sometimes I can remember the enjoyment I got from the reading. But I also know that if I had to give a one line summary of the book as the final question in ‘Who Wants To Be A Millionaire’ I would be leaving the studio without the six figure sum in my bank account. I am in a similar situation to Woody Allen when he said, “I took a speed-reading course and read ‘War and Peace’ in twenty minutes. It involves Russia.”

Deathless prose that will live for ever as a shining example of human intellectual achievement and philosophical thought has obviously gone into my eyes and straight out through my ears. To give an example: ‘Dead Souls’ by Gogol – it’s about serfs. Thank you Woody Allen!

If ‘Dead Souls’ is, at it were, dead for me. Why is it that literature of a somewhat lower order should be bright and shining in the forefront of my memory?

All of this cogitation is as a result of one of my pupils brining in a book which he forced his parents to buy for him in the Book Fair that was a part of our notorious Culture Week (when things Welsh were forced upon the innocent consciousnesses of my hapless group of pupils.)

The boy bought with his eyes rather than his understanding of English so that, at present, he has managed to work his way through the first three line paragraph and is totally exhausted. He has therefore given me the book to read and has allowed me to keep it for the weekend. As a rather touching final comment he opined that, as I only had the novel for the weekend, he would not expect me to read much more than a few chapters! Bless!

The book itself has a striking cover by Bob Lea. It represents an old fashioned sailing ship with timbers made from what looks like charcoal sailing through a churning blood red sea. The filling sails look like lizard skin and the rigging is peopled by silhouettes of mariners. The only figure delineated with any clarity is standing clutching the bowsprit wearing a tricorn hat, holding a lantern which illuminates his billowing cape which looks like a veined butterfly wing. Crimson lightening streaks through a dark blue sky to add a final grotesque touch of horror.

The final clue to the subject matter of this book is indicated by the ornate skull and crossbones embossed on the top of the cover. But look more closely at the skull and you will discover that the canines are unnaturally extended, justifying the title of this vulgar little rip off, ‘Vampirates – Demons of the Ocean’ by Justin Somper.

Bringing together ideas morphed from inspirations like orphans of Lemony Snicket with a touch of Swallows and Amazons infused with Buffy the Vampire Slayer and Pirates of the Caribbean and set (apparently) in Waterworld, this book is a masterpiece of unscrupulous popular culture jigsawing!

The book is set is 2505, but there is nothing in the story so far to suggest the far future – presumably this will develop in the rest of the series, as this volume does little more in its 300 pages than set the scene. As the captain’s whisper (don’t ask!) puts it in the last two sentences of the novel, “So it ends. So it begins.” So please, parents, be prepared to fork out a whole series of £5.99s as the series plods its way towards a story.

The front cover of this novel has a quotation from Anthony Horowitz, “Totally original . . . I wish I’d had this idea!” One can’t help feeling that he would have made a better job of it.

No matter what I think of the book as a piece of writing, the idea, as Horowitz says is original and I’m sure it will stay with me, whereas other ideas more profound in the hands of writers more skilled have flitted away from my mind.

Two stories stay with me.

The first is a science fiction story about delusion. The story concerned apparently wealthy, happy people living contented lives surrounded by consumer comforts. In reality they were living lives of squalor in a laboratory like maze having been successfully duped to accept another version of reality to cover their misery. The detail I remember is reading the description of a sumptuous meal and then finding out that the reality was gruel like sludge emerging from a rough pipe into a trough. Title and author have faded into the soft memory where files are unable to be retrieved. Any help will be appreciated, and I am sure that I once caught a glimpse of a film which used this idea, with numbered cardboard boxes taking the place of cookers, fridges, televisions, paintings etc.

The other was a fantasy or science fiction short story about an American youth always surrounded by a cloud of insects - to his continuing annoyance. The crux of this story was that the unassuming adolescent was actually the Lord of the Flies himself! Perhaps it was god’s little joke for the Beelzebub to be reworked as a sneaker wearing non entity and to be unaware of his potential as a Prince of Darkness! Title and author here too have gone. But the idea remains, fresh and pristine.

Perhaps the price for retaining each pushy, flashy and empty literary idea is that a profound and well written one has to be pushed into the twilight world of forgetfulness.

Perhaps maturity is also the time to drag them back where they belong and reinstate them in the forefront of consciousness.

That means that my programme of rereading should start now and will probably take the rest of my life!

Now that is what I call contentment!

Friday, May 23, 2008

Changing Times



When you live by the sea you become wise in the ways of knowing the seasons.

We pick up those small details which ‘inlanders’ (as we call those who live away from the elemental forces of nature) would miss. Each day I gaze at the sea and sand with practiced eye and make my prognostications.

Today things were different. Inlanders would notice little different. They would see the long shadows of the morning moving slowly across the beach; they would hear the susurration of the breaking waves; they would hear the staccato chirp of the early birds; they would note the tapestry of texture and colour that forms the surface of the sea – but would they be able to tell that summer is truly here?

Things change slowly at the margin of sea and sand, but we dwellers by the watery wastes read the words of the book of nature rather than gazing at the cover like those who live away.

Summer is here. Look closely and you too will see. Look again, what do you see? Look there! Now you see? Welcome to my way of seeing!

Yes, the sun loungers are back in their neat undulating piles waiting for the pasty bodies to fulfil their destiny.

They are lurking at the end of the boardwalk, where, to my astonishment during one day in early autumn, the substantial beach kiosk was totally deconstructed and carted away. When they start rolling refrigerators down the boardwalk to a newly reconstructed kiosk we will know that the real commercial summer has started!

For me the most testing time in my career in teaching in Catalonia is going to begin. Each fine day I will be leaving the beach to go to a beach resort to go indoors out of the sun. If I move the shades on my windows I can see the sea. When I go outside I can see the sea. And I won’t be there, sunning myself on the beach. My reason for coming to the country will be wilfully denied me while I attempt to teach progressively more dehydrated students in the ochre gloom (the sun blinds again) of my room. With windows on two sides and no air conditioning the height of summer is a season of some dread.

The male teachers are expected to wear long sleeved shirts and formal trousers. I also affect a tie, but that is more a function of the fact that I have liberated my extensive collection from the dungeon of Bluespace rather than a desire for sartorial elegance. I wear short sleeved shirts and loosely tied ties and I haven’t worn a jacket since I have been there.

I fear that by the middle of June I will be a Gollum-like figure squelching my way down corridors and leaving wet foot prints behind me!

What news of our august institution? SATs chaos! Ah, how redolent with piquant memories is such a phrase! I think it is safe to say that my experience of SATs was a continuing horror story. Thank god that they have been condemned to the educational dustbin. But not, of course, in our school.

Not only do we have the ‘real’ SATs for the end of KS3 in Year 9but we also have the optional tests in Years 7 and 8 – all bought in (together with their marking) from the UK. Imagine the horror when the papers for Year 7 were discovered to be those of last year. The same year this had been used for the practice paper in our school. O joy! O happiness!

Margaret (as usual) supplied the answer to the problems by drawing on her experience and explaining the mechanics of the examinations. Her knowledge is what the school lacks as the continuing lack of continuity limits the combined knowledge base of the staff involved. Added to this is what seems to be the active encouragement of staff not to talk to each other and you have a situation in which the faults and ignorance of he past is doomed to see itself repeated ad nauseum.

Not only the SATs occur (or not) next week, but also tests for the rest of the school. In preparation for these momentous events we have had to cover all the displays in our classrooms. Everything. Including art displays. Apart from ‘completeness’ I can see little point in it, but then . . . do I really need to finish that sentence. After all, where I work . . . and I don’t need to finish that one either.

Never mind – Eurovision tomorrow!

Thursday, May 22, 2008

The singing comes later



Had I any shreds of self respect left they would have been stripped away yesterday in Barcelona.

Arriving fairly early as I left for the opera straight from school I decided to buy the programme at once so that I could peruse it at my leisure as I partook of an unrushed meal before the marathon started.

I was ten days too early!

The teaching of my maths group has obviously had a knock on effect with my number recognition making 21 and 31 virtually indistinguishable!

Instead of the Wagnerian ordeal that I was expecting the only thing the Liceu could offer was a German ballet company presenting their version of ‘Death in Venice’.

During a more than acceptable meal in a Basque restaurant (though the bill doubled in the course of the meal) I debated with myself. Would seeing a modern dance ballet make up or compensate for a ‘wasted’ journey? As the meal dragged on, it began to look as though the start of the performance would see me still sitting on my hard chair watching the unending parade of peculiar people who traipse up and down the Ramblas. I made my decision: if the meal ended before the performance started then I would go in and watch the ballet.

The only ticket I was offered with a decent view was €93! All the other seats, at give-away prices like €53 (!) had appalling sightlines.

I went to PC City (PC World in Catalonia) instead. Luckily there were few gadgets there that I had not seen before and even fewer to tempt me. However, one attentive and fluent English speaking assistant engaged me in conversation and revealed that this Monday the store would be taking delivery of 7” micro computers. These are the Asus dirt cheap laptops with no moving parts –except the opening lid and the keys. The memory is derisory and they won’t run Vista but they are tempting. Very tempting! Though my previous description of ‘dirt cheap’ is not strictly true: when, after all, has any sane person paid a few hundred euros for a small rectangle of earth?

Nevertheless the poisoned thought of possession has been lodged in my brain and its creeping venom is making its way though my body and corrupting my mind. I hope to god that the keys are too small for my elegant but spatulate fingers to cope with. There again, should one really enthuse about 7”? I’ll leave that thought hanging, as it were!

In school we have little more than a month (allegedly) before the end of term. The kids will leave on the 20th of June (allegedly) and then there will be a series of dates on which the various types of teacher are allowed to escape back into the real world. This could range (after all we don’t really know the official end of the term, why should we?) from the 30th of June, through the 4th of July to the 8th July, with a possible extension to the somethingteenth of July for some, or all, or none. Confusing isn’t it? You try working in it!

The examination season is soon upon us. Today was the first stern test, augmented by horror stories by my good self, about what happens to those persons who do not play the examination game. They have little knowledge of how to behave during an important test. The idea of remaining silent for any length of time is foreign to their nature and they are even worse that a group of teachers when it comes to asking truly mindless questions about the extreme minutiae of any given situation.

I look forward to next week with mixed feelings as test follows test for the poor little buggers!

But one must remember that every week brings one closer to the end of term!

Wednesday, May 21, 2008

Sisyphus had it easy!






The story of the dishwasher now officially qualifies as an Epic.

The fault, which I now understand is a common one after talking extensively to all of one colleagues, was stasis. The machine would start up find a comfortable position for itself in the wash cycle and stay there. The machine would mindlessly wash the dishes all night leaving the dishes looking a little, well, washed out. The poor old bowls started developing what I can only call washing wrinkles which would not rub out no matter how assiduously I applied the non-stick safe scourer.

Just getting the mechanic (you will see later how misapplied that job designation is) to appear and look at the machine took weeks. After multiple visits to the shop that sold the machine and telephone calls to the people who were supposed to repair it we were eventually exasperated enough to consider finding out the telephone number of one of the consumer protection programmes. Unfortunately there don’t seem to be the same number of programmes on the truly dreadful succession of adverts that masquerade as television stations in Spain. I wondered if programmes like ‘The ferret’ or ‘X-Ray’ from Wales would consider doing a foreign report: they would at least be next to the beach if they did.

Meanwhile the ‘mechanics’ were playing the old ’phone and forget’ game. This is an old game played by the unscrupulous where, having been told that the householder is not in during the day and can only let the ‘mechanics’ in during the evening, they phone during the day and bemoan the fact that you are not there. Then, having done their duty they wait and hope that their bloody mindedness will cause you to give up the ghost and turn the washing programme cycle knob round by hand.

Eventually, through a combination of my broken Spanish and Toni’s fluent Catalan we managed to get an appointment. The word ‘appointment’ does little justice to the vague swathe of time that the increasingly bellicose voice at the end of the telephone indicated we should regard as important. Needless to say they did not turn up. Did not telephone.

This contemptuous attitude was repeated ad nauseum until Toni actually took a day off to let the buggers in.

I am sure that no one who has waited for workmen will be surprised that even giving them an entire day to turn up was too restricted a time scale and they . . . well, you can guess.

I left work early on another occasion and – nothing.

Eventually we discovered a little card stuck in the bell push at the street door. They had come and gone. They had received no response to their entreaties to be allowed into our flat to repair the machine. The bell was working. We were both there. The land line and Toni’s mobile were working. But nothing.

Another attempt and the ‘mechanic’ did turn up. He heard that the cycle stuck so he replaced the entire switching mechanism and departed.

His ‘repair’ made not difference whatsoever. Exactly the same fault remained to frustrate dish washing.

On another day off they eventually returned. Late of course. Toni had been told that they would be there in the morning. At half past one in the afternoon Toni phoned the company and within a minute of putting the phone down, lo and behold! he received a phone call from the ‘mechanic’ who just happened to waiting outside the door. Gosh! What a coincidence!

Because Toni has become (justifiably) progressively angrier with the gross incompetence and incivility shown by this bunch of charlatans they responded in the only way they knew how.

They had already demonstrated that their technical ability in electronic diagnosis was confined to the ‘find the bit you think is wrong, take it out, put in a new one and hope for the best’ technique’ – which didn’t work. This time they took the back of the machine off and decided to replace two other bits.

Which they didn’t have.

Of course they didn’t. How foolish of us to think that, after months of non use we would have our machine returned to effective dish washing capabilities.

As punishment for our surly attitude we will have to wait. Again. This time, as a further punishment, they are going to take the entire machine away. For god knows how long.

If I was looking for a literary analogy for what we have experience with these people, I think that my thoughts would be drawn to the Court of Circumlocution in ‘Bleak House’ – the place where, once a case was sucked into the vortex of inactivity it would be lost in procedural inanity and nothing real would be done.

Nice to see Dickensian sarcasm having a living embodiment in modern Catalonia.

If I were you I think I would keep out of mist shrouded graveyards until the repair is completed, Pip old chap!

Tuesday, May 20, 2008

The meeting of minds



Situations never stay the same!

A planned meeting changed time, personnel and participants. The group going to The Owner for ‘clarification’ did not remain the same and eventually came down to just one person. But at least I insisted that if things got a little heavy she would come and get a ‘friend’ to sit with her for the rest of the interview.

In the event things did not turn out in as apocalyptic a fashion as we had feared and (we think) we got what was fair. The insistence that we return to the school to sign for the money has been removed and who knows what other signs of natural justice may make an appearance in this benighted region. One lives in rejuvenated hope!

On the wings of this New Age of reasonableness I have written a letter as stage one in my attempt to get paid during the summer. In a writing style which stretched reasonableness to the limits I intimated that teaching a few new subjects next year with no scheme of work and no hope of guidance from the school (though I didn’t actually say that in the letter, though the implications were clear!) would necessitate a little preparation. Preparation which would have to be done after the end of the school third term and before the start of the new year. Or, as we know it in educational circles, the summer holiday!

I await with interest the response to my letter. I have great hopes. It has been my experience that every (and I mean every) memo that I have written to a headteacher has gone unanswered. Directly. I have sometimes had replies from other sources, but never a direct response from a headteacher. That’s why I chose a letter format.

As soon has I had the letter checked by at least one other person, I popped it into an envelope and went towards the office. As if by a strange coincidence who should I see as I walked down the corridor but the intended recipient of my missive. After hailing her with the hypocritical bonhomie for which I am famous, I gave her the letter. She took it with what I can only describe as an old fashioned wary way. I wonder what she expected or hoped it might contain!

My present feeling of hope is, of course, riding for a fall. One step ahead; two steps back – that is the usual ‘progress’ that is the accepted modus vivendi in my present employment.

I could work out how many days we have left in school (which must be between thirty and forty) and that is how many opportunities for further changes, modifications and complete re-workings there could be in school policy for the rest of the term!

The trick, I suppose, is to get things in writing. And that is something which we have not managed.

Yet!

Monday, May 19, 2008

A little light reading


Horror in Burma; disaster in China; financial crash looming and rain in Catalonia.

What was my response on a Sunday morning when it was dry enough and warm enough (just) to sit out on the balcony and drink tea?

Why, there is only one thing to do when the rest of the world is depressing: find something even more depressing to read. I do not have Larkin’s collected letters so I turned to Ibsen instead!

I chose one of the more obscure plays by Ibsen – though it has to be said that ‘obscure’ when applied to Ibsen becomes something of a relative term, perhaps ‘The Vikings at Heligoland’ might qualify. Anyway, the one I chose to read was ‘Rosmersholm.’

I last read it over a quarter of a century ago.

That’s the sort of statement that you never think about writing until it slips into your typing and it causes you to pause a while and think!

When I first read Ibsen he seemed to me to combine the readability of Priestly with the profundity and social comment of ‘The Wednesday Play.’ And I suppose that you have to be my age to follow the reasoning behind that statement. I loved Ibsen. You could read him and understand what was going on and feel that you were reading something of importance of (more of a seventies word) relevance.

This time round it was different. I remembered the small town tensions, the opposition of radical and progressive (whatever that meant in a small Norwegian town in 1886) the interesting if confusing morality and the ending.

This time round I found the read just as easy, the situation quintessentially Ibsonian but this time I found more complexity than previously. The layers of complexity in the moral situations were beautifully suggested and easy assumptions were impossible.

The ending is superficially heroic with a double suicide after a spiritual wedding, but the way that it is written it becomes more of a metaphysical existential statement: which is impossible. Therefore the ending is nothing of the sort, and the last words of the play mouthed by a credulous housekeeper. Death is very permanent. And no way to end a play.

I thoroughly enjoyed it.

And I wrote the first draft of the links for the drama group for the summer concert.

What a varied life I do lead.

Saturday, May 17, 2008

It's only a game!




What are the chances of someone from Cardiff and someone from Portsmouth being in the same place on the morning of the final of the FA Cup in Sitges?

Whatever the chances were it happened and we were both very civilized and wished each other good luck and said that we would think of each other at the end of the game. And I did, with a great deal of resentment as Cardiff lost one nil. Well, the next chance to see Cardiff (going on the last gap) will be at the end of the century. So, unless there are some fairly spectacular medical advances in prolonging longevity I fear I will not get a second chance to see my team bring home the trophy. There are worse disappointments I can think of! Without trying!

Leaving Toni smirking in his sleep as a Sacred Saturday was desecrated by my going to work, I decided to use the coast road rather than dignify my route to school by paying the toll to go through the tunnels.

By the time I arrived Adam and some of his merry crew were already setting up the playground for the series of games which were going to constitute the core of the Mini Olympics. This constituted part of the opportunity for competitive physical exertion which would determine which set of pupils and parents would lift one of the impressive selection of gleaming cups prominently glinting in the subdued sunlight from an unconvincingly cloudy sky.

The promised breakfast was indeed provided by the ever helpful caretaker (still looking disturbingly like a past sixth former of mine) and comprised mini rolls, croissants, cakes and drinks (coffee, water and orange juice – it was half past nine in the morning after all!)

The pupils eventually drifted in with a selection of family and friends and settled down to clear the tables of one of the few freebies that they get in this place!

The sports or games were much as you would expect when many of the participants were very young. The one thing which was different from Britain was the inclusion of such Health and Safety nightmares as wheelbarrow races, three legged races and a sack race. As all three of these were on the hard surface of the playground the expectation of blood and shredded skin lubricating the surface. In the event my sanguinary fears were not realised and everyone who was entitled to a medal or cup (which was everyone) was able to skip up to the podium to get their reward.

As usual the most interesting aspect in a school sports’ day which invites the participation of parents was the intensely competitive hysteria which informed their individual efforts. In one race three generations in one family were running over low hurdles and weaving around obstacles and the one thing they had in common was a demented determination to succeed. One father ran around the course with his young daughter in his arms! The shoes that some of the mothers had on were not the most sportily effective pieces of footwear they could have chosen; but I certainly admired their ability to run in pieces of leather that seemed to have been specifically designed to cripple.

A successful morning, though my arthritic progress in the teachers’ egg and spoon race did not even rate pity: scorn and contempt would barely cover the appropriate response!

Lunch in our corner restaurant was consumed while watching the rain drip disconsolately from the awning. We still need more rain, though why this water should fall so near the coast where it runs uselessly into the sea, rather than in the Pyrenees where it would do more good and fill the reservoirs, I cannot understand.

So much for a guiding intelligence!

I think I will go to bed early so that I can be fully refreshed for the morrow. I know that I will have to put up with the sort of, “Hands up those people who have to go to work tomorrow!” imperatives usually favoured by me at the start of a school holiday. The tables have now been turned as Toni uses up all his holiday allocation before it disappears in a blue flash of officialdom!

We sometimes have heavy burdens to bear!

Friday, May 16, 2008



‘Plug in and play.’

A simple enough phrase usually marking the start of a whole traumatic episode of self loathing and total frustration as you begin to realise that the phrase has no relationship with truth.

It was with trepidation that I attempted to use a computer projector with my maths class. The bulb on my OHP has blown and there is no replacement. At all. Probably ever.

So no OHP then. Unless I buy a bulb myself and attempt the squaring of the circle by trying to get my school to reimburse me for the cost. This is not how Things Are Done. If you take the initiative by short circuiting the Byzantine processes that have to be completed before anything can be bought. There is also the problem of who will pay, even if I considered getting spare bulbs through the Normal Channels.

In our school there are co-ordinators who have monthly budgets. These have to be spent during the month. I seem to remember viering or vireing (or however it was spelled) money, which meant that you were able to save money from one month and put it together with money from another month to buy something which would have been impossible to buy in one month. This is not allowed here. Budgets are jealously guarded. My OHP exists outside the normal subject allowances. It is a financial orphan with no parent prepared to pay the maintenance. I will, yet again need to find a sneaky way through the logical gates on impenetrable financial obduracy. Or cheat. Is that the same thing?

In desperation I turned to the computer projector. In the best traditions of professional teaching I waited until the class were sitting in front of me before I attempted to make the machine work.

And it did!

I linked it to my laptop and it worked. It was a delight even if the area around my desk looked as though a patient was undergoing major surgery with power cables going everywhere.

In my shocked experience young school kids have a primary urge to ‘touch base’ or get up to check that the person they can see from their seats is actually the same person in reality as their teacher. This can only be achieved by the sceptical pupils getting up from their seats and making a pilgrimage to the front of the class and demanding a close contact response to a question directed to the teacher irrespective of what he might be doing or saying at the time.

With such a flow of pupils (nailing them to their seats being regarded as dated educational thinking) the multiplicity of power lines will lead, inevitably, to expensive disaster.

On the other hand it isn’t my money.

So many things to weigh up!

Thursday, May 15, 2008

Gainful employment


“What are we going to do with you?”

Not the most encouraging opening by The Owner when starting an interview about your future in the school. The further admission that there was a difference of opinion about my worth between The Owner and the Headteacher added to my general sense of unease.

My, uh, uneasy approach to the school and the rules when I first arrived was highlighted and placed on the table for discussion. Altogether a fairly clear indication of negativity.

However the interview did, eventually, become more productive with a suggestion that I might like to take a so-called ‘bridge class’ of year seven pupils for English, Geography, History Drama, PSHE and a selection of KS3 classes. This seems like a good idea and more than I expected.

Problems, of course remain. What sort of contract would I have; when would it start; what rate of pay would I be on; what duties would there be; who would be my line manager and other questions too mundane to enumerate but essential to a comfortable existence in the school.

A positive start, but who knows what might happen by September?

What was far more interesting than the information which the interview revealed was the response of the rest of the staff to it. I was the first in Primary to go in for my ordeal and there was an unhealthy amount of speculation about what might happen. The old conversations about the payment of summer money are again surfacing and the astonishing lack of trust in the administration taking a paranoid hold on the staff. The suggestion that it might be safer to expect the unexpected is now almost second nature to the hardened denizens of the lower depths of our school!

Mine is just the opening scene in an extended drama which will stretch into next week with the hysterical growing with each new revelation of the inner workings of the controlling mind manipulating the educational pawns at her control!

Meanwhile the Summer Concert looms. My drama group (egocentric queens to the last) is eager to act as the eccentric links between the class acts - and the ironic pun is intentional! Six classes in primary are going to ‘perform’ a selection of songs ranging from ‘Mama Mia’ at the high art end of the repertoire to some extracts from the inexplicably popular ‘High School Musical’ at the mindless crowd pleasing end of the harmonic scale!

At some point I have to write a script for my motley crew of would be thespians to present. They have elected to dress up for the occasion in a variety of costumes, so if anyone can suggest a linking theme for a ballet dancer, spy, victim, hippie, detective, cat and policeman – do please let me know.

Meanwhile two more days. Yes, two. Saturday is our Sports’ Day. Such high expectations.

And breakfast is supplied!

Such larks!

Wednesday, May 14, 2008

Velcro and naked men!


Today I shaved my shoes. A new experience!

The trouble with Velcro is that the receiving anchor point of the fastening does tend to get a little woolly and therefore get a little loose: hence the shaving. What better preparation for school than clipping shoe fluff?

After settling down, yesterday afternoon, book in hand and pot of tea on a small table by the side of my chair on the balcony, I did think it advisable to check that I was actually going to the opera on the following day.

By the time I realised that I was already running late (allowing for the horrendous traffic on the Ronda Litoral into Barcelona) I was already flustered. I need not have worried, after a cursory wash and an extended squirt of aftershave and an even more extended period of frustration in an almost stationary car I still have time for a truly awful menu del dia in one of the low dives on the Ramblas.

In Spain there is no excuse for the almost inedible bread I was served. On the other hand it did match, in its down market tastelessness the other delights I was offered: watered down wine; microwave reheated paella and woefully overcooked salmon. With the Casera I had to eke out the small carafe of wine this travesty of Catalan cuisine came to €14 a total rip off.

As I made my unsatisfied way towards the Liceu I only hoped that the opera was going to be a better experience than the meal. Considering my seat was almost €100, it really had to be!

In the event I wasn’t disappointed. This was the Liceu’s first production of Britten’s ‘Death in Venice’ and some of the stage pictures that they managed to create were as good as any production of Britten that I had seen.

The interpretation of the libretto was conceptual rather than literal which was emphasised at the outset when the opening scene set ostensibly in a graveyard was a raised desk/walkway extending from down stage centre to up stage centre. Aschenbach (Hans Schöpflin) started singing with his back to the audience sitting facing the desk/walkway which was covered with scattered papers the visible sign of his stymied inspiration.

The traveller appeared upstage from behind a large suitcase, there was no attempt at naturalism and when Aschenbach sang his disturbance The Traveller removed his coat to shelter Aschenbach revealing that he was stripped to the half. This established the overtly sexual atmosphere in which the rest of the opera was sung.

As the parts of The Traveller, the old fop, the gondolier, the manager of the hotel, the hotel barber, the leader of the musicians and the voice of Dionysius are all sung by the same singer (Scott Hendricks) it is easy to see these characters as aspects or alter egos of Aschenbach himself.

The sailors and old fop on the boat to Venice were greeting one of their own when Aschenbach was there and the abusive kiss from the fop was recognition of Aschenbach’s sexuality and an indication of the doomed attempt to find anything more than sacrifice in what Aschenbach himself describes as ‘ambiguous Venice.’

The gondola ride to Venice is stunning. The desk/walkway becomes the boat and moves in a sinister and elegant way around the stage with a projected background of rippling water.

The other sets were elegant and effective, but it was the action on stage which gripped the imagination. The setting in an art gallery in which there was only one painting – a giant version of the Bacchus by Caravaggio from the Jarman film of the artist’s life, showing the god as a very streetwise piece of rough trade, merely emphasised the sexual attraction between Aschenbach and Tadzio (Uli Kirsch) with Tadzio showing himself to be (even if experimentally) interested in the attraction of the older man.

The games ended in Tadzio being stripped naked by his playfellows and then executing a particularly violent form of waltz with the Traveller while Aschenbach slept. It was very effective and deeply disturbing. But Aschenbach’s discovery sung at the end of the first act, ‘I love you,’ has been made so obvious that the assertion carries little dramatic force.

The second act has many good things: the barber and his ghoulish group of characters looking as though they are auditioning for the cast for a dance of death; the puppet show; the grotesque group of singers and, of course, the obligatory group of full frontal male nudes!

For me, the end of the opera was an anticlimax. The novella poses almost insuperable problems for any visual presentation. The final gesture of Tadzio to Aschenbach – a ‘clear beckon’ according to the libretto – loses all its ambiguity when viewed. It is surely all about sex and nothing more, but the novella suggests deeper levels of meaning both sexual and philosophical. This production solves the problem of presentation by removing Tadzio from the equation. The final moments have Aschenbach deposited in a deckchair and when he slumps (in death?) The Traveller gets up from a deckchair up stage and walks off leaving the corpse of Aschenbach behind. A weak moment in an otherwise strong production.

The singing was, to be fair, variable. I warmed to Hans Schöpflin initially but gradually I became less impressed. To me he sometimes seemed forced and harsh. Aschenbach was supposed to be Germanic so his accent was no real barrier. The real star was Hendricks who really seemed to relish his multiplicity of roles and was a commanding presence on stage.

‘Death in Venice’ is the Britten opera I know least and I think that it suffers in comparison with ‘Billy Budd’ and ‘Peter Grimes’ and in its more intimate moments it lacks the immediacy of ‘Midsummer Night’s Dream’, the masterly tension of ‘Turn of the Screw’ and the musical charm of ‘Albert Herring.’ To me the music seemed almost vulgar, as if a competent composer was attempting an affectionate pastiche of Britten. The use of percussion was ludicrously overblown and seemed a substitution for full orchestration!

However it was an excellent evening with orchestral playing of a high order (Sebastian Weigle); chorus work which was professional and dramatically effective (José Luis Basso) and enough pretentious direction (Willy Decker) to keep one happily amused and intrigued throughout the evening. Well worth supporting and enjoying.

And the next time I go to an opera I will find a better place to eat!